Few artists have achieved the success and celebrity of Pablo Picasso or been so instrumental in fashioning the public’s understanding of what art and the artist can be. By the end of his long life, Picasso had become the defining artist of his century. His career spanned nearly 80 years and numerous celebrated love affairs — and although he saw himself primarily as a painter, he had worked in almost every medium, from ceramics to theatrical design.
Born in Malaga in 1881, the young Picasso displayed a precocious talent that was fostered by his father, a university art teacher. At the age of 14 he was producing astonishingly accomplished works like Girl with Bare Feet (1895). Yet, as he was to say famously of his early training, ‘It took me four years to paint like Raphael, but a lifetime to paint like a child.’ It was Picasso’s quest for this playful, primal and childlike perspective that would come to define his work and have such a profound effect on the course of modern art.
His first success was forged at the tail end of Post-Impressionism, having settled in Montmartre, Paris, in the early 1900s. Following flirtations with Symbolism during his Blue and Rose Periods, he became increasingly influenced by Cezanne and then by non-Western art. In 1907 he produced his Primitivist masterpiece painting, Les Demoiselles d’Avignon (1907). By 1908, he and Georges Braque had taken Primitivism a step further with their development of Cubism. Beautifully exampled in Picasso’s Woman with Guitar (‘Ma Jolie’) (1911–12), Cubism tore up the rules of single-perspective representation that had defined art since the Renaissance. It was a revolutionary moment that would dictate the course of 20th-century art.
Picasso would live in France until his death in 1973, continuously inventing and responding to the ideas of the wider artistic world and producing some of the defining works of the 20th century. Guernica (1937), Les femmes d’Alger (Version ‘O’) (1955), his portraits of Dora Maar, his minotaur etchings, his salvage sculptures and ceramics all continue to stand as testament to his versatile and prolific talent. Picasso was businessman, genius and maverick in equal measure.
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Portrait de Jacqueline accoudée
PABLO PICASSO (1881-1973)
Quatre femmes nues et tête sculptée, from: La Suite Vollard
PABLO PICASSO (1881-1973)
Profil de Jacqueline au foulard
PABLO PICASSO (1881-1973)
Portrait de Jacqueline I, II, III & IV
PABLO PICASSO (1881-1973)
Grand Nu debout
PABLO PICASSO (1881-1973)
Grand Nu debout
PABLO PICASSO (1881-1973)
Femmes á leur Toilette
PABLO PICASSO (1881-1973)
Femme à la mantille: Carmen
PABLO PICASSO (1881-1973)
Picador et Taureau II
PABLO PICASSO (1881-1973)
Femme à la mantille avec une fleur: Carmen
PABLO PICASSO (1881-1973)
Torero
PABLO PICASSO (1881-1973)
Vénus et l'amour d'après Cranach
AFTER PABLO PICASSO (1881-1973)
Mother and Child with Shawl, from: Barcelona Suite
AFTER PABLO PICASSO (1881-1973)
L'Étreinte (The Embrace)
PABLO PICASSO (1881-1973)
Homme et Femme, from: L'album des nus
PABLO PICASSO (1881-1973)
Flûtiste et trois femmes nues, from: La Suite Vollard
PABLO PICASSO (1881-1973)
Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux, from: La Suite Vollard
PABLO PICASSO (1881-1973)
Minotaure caressant une femme, from: La Suite Vollard
PABLO PICASSO (1881-1973)
Femme accoudée, sculpture de dos et tête barbue, from: La Suite Vollard
PABLO PICASSO (1881-1973)
Marie-Thérèse regardant son corps sculpté, from: La Suite Vollard
PABLO PICASSO (1881-1973)
Sculpteur songeant, modèle aux cheveux noirs et bol avec trois anémones, from: La Suite Vollard
PABLO PICASSO (1881-1973)
Tête d'Histrion
PABLO PICASSO (1881-1973)
Exposition Vallauris 1963
PABLO PICASSO (1881-1973)
Peintre et modèle au fauteuil à bascule
PABLO PICASSO (1881-1973)
Peintres aux Champs: Autour du XIXe Siècle et de Courbet, from: La Série 347
PABLO PICASSO (1881-1973)
Peintre peignant la nuque de son jeune modèle, from: La Série 347
PABLO PICASSO (1881-1973)
La Célestine: La sérénade, from: La Série 347
PABLO PICASSO (1881-1973)
Peintre barbu en Robe de Chambre, avec deux Femmes nues et un Visiteur, from: La Série 347
PABLO PICASSO (1881-1973)
Grosse prostituée et Mousquetaire, from: La Série 347
PABLO PICASSO (1881-1973)
Céret - Picasso 1958
PABLO PICASSO (1881-1973)
Manolo Huguet
PABLO PICASSO (1881-1973)
Minotaure aveugle guidé par une fillette dans la nuit, from: La Suite Vollard
PABLO PICASSO (1881-1973)
L'Homme au Chien (Rue Schœlcher)
PABLO PICASSO (1881-1973)
La source (Trois femmes à la fontaine)
PABLO PICASSO (1881-1973)
Michel Leiris: balzacs en bas de casse et picassos sans majuscule
PABLO PICASSO (1881-1973)
P. A. Benoit: Pierres (Caricature)
PAUL PIERRE LEMAGNY (1905-1977) AND PABLO PICASSO (1881-1973)
Portrait de Picasso et remarque pour 'Temoignage' de Jean Cocteau
PABLO PICASSO (1881-1973)
Jeunes femmes nues reposant ('Young nude Women, resting')
PABLO PICASSO (1881-1973)
Taureau attaquant un cheval
PABLO PICASSO (1881-1973)
Minotaure blessé VI, plate 87 from: La Suite Vollard
PABLO PICASSO (1881-1973)
Minotaure vaincu, Plate 89 from: La Suite Vollard
PABLO PICASSO (1881-1973)
Minotaure mourant, Plate 90 from: La Suite Vollard
PABLO PICASSO (1881-1973)
Femme Toréro I
PABLO PICASSO (1881-1973)
Femme Toréro II, from: The Suite Vollard
PABLO PICASSO (1881-1973)
Paris, 14 juillet 42 - L'homme au mouton ('Man with a Ram')
PABLO PICASSO (1881-1973)
Crâne de chèvre ('Goat's Skull')
PABLO PICASSO (1881-1973)
Sueño y mentira de Franco ('Dreams and Lies of Franco')
PABLO PICASSO (1881-1973)
Joueur de diaule (A.R. 1)
Pablo Picasso (1881-1973)
Les femmes d'Alger (Version 'O')