A NYMPHENBURG WHITE FIGURE OF LEDA FROM THE COMMEDIA DELL'ARTE SERIES
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A NYMPHENBURG WHITE FIGURE OF LEDA FROM THE COMMEDIA DELL'ARTE SERIES

1763-67, LEFT EDGE OF BASE WITH ALCHEMICAL GZMIA3 UNDERGLAZE BLUE MARK, UNDERSIDE INCISED O

Details
A NYMPHENBURG WHITE FIGURE OF LEDA FROM THE COMMEDIA DELL'ARTE SERIES
1763-67, LEFT EDGE OF BASE WITH ALCHEMICAL GzmIa3 UNDERGLAZE BLUE MARK, UNDERSIDE INCISED O
After a model by Franz Anton Bustelli, her head turned towards her raised right hand, holding her skirt with her left hand, her bodice with interwoven robings at the front, her skirt edged with robings and rosettes, on a scroll-moulded rococo base (right arm restuck and restored, right thumb a replacement, chip to nose, firing cracks)
7½ in. (19 cm.) high
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

In Bustelli's Comedy Series of sixteen figures, Leda forms the pair to Capitano Spavento, and her hand is raised to ward off the Captain's attack on Ottavio (who is paired with Isabella). For the example in the Pflueger Collection, see Hugo Morley-Fletcher, 'Early European Porcelain & Faience, as collected by Kiyi and Edward Pflueger' Catalogue (London, 1993), Vol. I, pp. 170-172. For another coloured example, also marked in a similar way as the present lot, see Katharina Hantschmann and Alfred Ziffer, 'Franz Anton Bustelli' Bayerischen Nationalmuseum, Munich, Exhibition Catalogue (Munich, 2004), no. 145, pp. 285, 475 and p. 530, fig. 15 for the mark; and also see Meredith Chilton, 'Harlequin Unmasked, the Commedia dell'Arte and Porcelain Sculpture', Gardiner Museum of Ceramic Art, Toronto, Catalogue (2001), p. 32, p. 81, and p. 320, no. 132 where other examples are listed.

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