A PAIR OF BERLIN PORCELAIN GOLD-GROUND TWO-HANDLED TOPOGRAPHICAL VASES (KRATERVASE MIT ALDERHENKELN)
A PAIR OF BERLIN PORCELAIN GOLD-GROUND TWO-HANDLED TOPOGRAPHICAL VASES (KRATERVASE MIT ALDERHENKELN)
A PAIR OF BERLIN PORCELAIN GOLD-GROUND TWO-HANDLED TOPOGRAPHICAL VASES (KRATERVASE MIT ALDERHENKELN)
A PAIR OF BERLIN PORCELAIN GOLD-GROUND TWO-HANDLED TOPOGRAPHICAL VASES (KRATERVASE MIT ALDERHENKELN)
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PROPERTY FROM THE TWINIGHT COLLECTION (LOTS 372-377)
A PAIR OF BERLIN PORCELAIN GOLD-GROUND TWO-HANDLED TOPOGRAPHICAL VASES (KRATERVASE MIT ALDERHENKELN)

CIRCA 1830, UNDERGLAZE BLUE SCEPTRE MARKS, ONE WITH ORANGE DOT MARK, THE OTHER WITH GILT CIRCLE AND ARROW MARK, THE FIRST SIGNED J.(OHANN) FORST

細節
A PAIR OF BERLIN PORCELAIN GOLD-GROUND TWO-HANDLED TOPOGRAPHICAL VASES (KRATERVASE MIT ALDERHENKELN)
CIRCA 1830, UNDERGLAZE BLUE SCEPTRE MARKS, ONE WITH ORANGE DOT MARK, THE OTHER WITH GILT CIRCLE AND ARROW MARK, THE FIRST SIGNED J.(OHANN) FORST
Each of campana form flanked by eagle handles grasping molded pendant garlands of oak leaves, painted to both sides with a Veduta panel of either Ansicht von Berlin and Ansicht von Potsdam or Sans souci bei Potsdam and Das neue Palais bei Potsdam, all named below within its gilt rectangular palmette surround, the sides with gilt ciselé scrolling foliage, the lower body with a concave pale-grey ground band with gilt Vitruvian scrolls enclosing flower-heads, the socle and interior rim with chased stiff-leaf tips
19 in. (48.2 cm.) high
來源
The Duchess (Herzogin) von Sachen-Meinigen, 1830.
A Century of Berlin, Porcelain from the Dr. K.H. Wadsack Collection, Part II; Christie’s, London, 8 October 2002, lot 269.
出版
S. Wittwer, Refinement & Elegance, Early Nineteenth-Century Royal Porcelain from the Twinight Collection, New York, Munich, 2007, pp. 342-345, no. 110.

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拍品專文

The present vases are recorded as having been finished 22 February 1830 and are described in Conto-Buch as "For Her Highness the Duchess of Sachsen-Meinigen/2 vases with eagle handles and rectangular colored views framed in raised gold, otherwise also fully gilded and engraved as follows: I. with Berlin and Potsdam; I. [with] Sans=souci with terrace and New Palace" (see Wittwer, op. cit., p. 342).

Johann Eusebius Anton Forst (1783-1866) is recorded as the head of the Veduta department at K.P.M. and the foremost painter in this style from 1823-32. The view of the Neue Palais is taken from August Wilhelm Ferdinand Schirmer's 1822 watercolor and ink original (now in the Schloss Charlottenburg archives) which shows the palace as seen from Klausberg Hill, the highest point of Sanssouci Park, with the river Havel in the distance. For this and for the aquatint after Friedrich Calau upon which the view of Sanssouci Palace is based, see S. Wittwer, op. cit., p. 343.

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