Old Masters to Modern Day Sale: Paintings, Drawings, Sculpture

Old Masters to Modern Day Sale: Paintings, Drawings, Sculpture

Sale Overview

This December, Christie’s is delighted to present the second edition of the newly formed Old Masters to Modern sale, with paintings, drawings, watercolours and sculpture from seven centuries. Crossing traditional collecting categories, the sale presents a curated selection of works hailing from every major Western School and at a broad range of price points. A wide selection of lots will be sold without reserve, as indicated on our sale page, with estimates starting at around £1,000.

The Old Master paintings group is distinguished by a number of high-quality northern paintings of all genres, including an early landscape by the young Jan van Goyen, a lively farmyard scene by Melchior d'Hondecoeter and a seascape by Willem van de Velde II. They are complemented by several Italian highlights, including a pair of fourteenth-century altarpiece fragments by Florentine artist Giovanni Bonsi, a rediscovered portrait by Fra Galgario and four northern Italian paintings on alabaster from the seventeenth century. The early British school is represented by works by Marcus Gheeraerts and his studio, followed up by portraits by Sir Joshua Reynolds and Thomas Gainsborough.

An exceptionally rare impression of The Tyger leads a group of eight relief etchings from the first issue of William Blake’s celebrated poems Songs of Experience (1794), from the collection of Sir Geoffrey Keynes (1887-1982). Executed in ‘illuminated printing’, a method of his invention which combines text and image on a single copper plate, and hand printed by Blake himself, they exemplify his genius as an artist, printer and poet.

The sculpture group offers a number of early pieces including medieval enamels and a gargoyle formerly in the Rockefeller collection, said to have come from the Cathedral of Notre Dame. Bronze is also well-represented with a rare figure of an acrobat doing a handstand after Barthelemy Prieur.

Highlighting the nineteenth‑century European and Victorian paintings on offer are works by Sir Alfred Munnings, Frederic, Lord Leighton, Edward Seago and Jean Béraud. Finally, a diverse offering of British drawings and watercolours includes works by Dame Laura Knight, Edward Lear, Francis Towne and not least J.M.W. Turner, on the 250th anniversary of his birth.

Auction times
03 Dec 10:30 AM (GMT)

Our specialist’s selection

Brought to you by

Lucy Speelman

Lucy Speelman

Junior Specialist, Head of Day Sale | Old Masters

Lucy is a Junior Specialist in the Old Master Paintings department in London, where she heads up their biannual Part II sales. She came to Christie’s in 2017 as an Object Intelligence Researcher in Old Masters where she supported senior specialists with client strategy and art market research before joining the specialist team in 2022. Prior to joining Christie’s, Lucy completed her Master’s degree at the Courtauld Institute of Art specialising in fifteenth- and sixteenth-century painting in Italy and northern Europe, and read for her Bachelor’s in History of Art at the University of Bristol.
Peter Brown

Peter Brown

Senior Director, International Specialist | Victorian, Pre-Raphaelite & British Impressionist Art

With twenty years’ experience in valuing Victorian, Pre-Raphaelite & British Impressionist Art, Peter Brown has overseen sales which have ensured Christie’s dominance of this market. As head of department, Peter has led a team which has achieved many world auction records for Victorian artists including those for Burne-Jones, Rossetti, Millais, Holman Hunt and Leighton. He was closely involved in securing and selling the Forbes Collection of Victorian Pictures in 2003, which sold for a total of £17 million – the largest ever auction of Victorian art to date, in which 65 auction records were achieved. In July 2013 he co-ordinated an auction of Victorian Pictures that realised £22,201,975 /$33,547,184 /€25,598,878, the highest total ever achieved for the category. The top price was paid for a masterpiece by Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898), Love Among the Ruins, which sold for £14,845,875/$22,432,117/€17,117,294, setting a new world record price for the artist at auction (estimate: £3 – 5 million) and becoming the most expensive Pre-Raphaelite painting ever sold at auction. In June 2000, he discovered an unsigned and previously unidentified work by Sir John Everett Millais. Estimated at £60-80,000, the picture sold for £157,750. (Christie’s, London, 14 June 2000, lot 11). Most recently he helped orchestrate the sale of the Setton Collection in December 2020 which saw many pictures double their pre-sale estimates and achieve world record prices. Peter Brown holds a B.A. from Durham University, and is a graduate of Christie’s Education. He has worked with Christie’s since 1992 and is a Senior Director and International Specialist.
Annabel Kishor

Annabel Kishor

Specialist | British Drawings & Watercolours

Having completed a BA in History of Art at University College London, and an MA in 18th Century British and French Drawings at the Courtauld Institute of Art, Annabel worked in the Prints and Drawings department at the British Museum, and at another major auction house. She has been working in the British Drawings department at Christie’s since 2015, working on both the Early British and Victorian sales. She has also been involved in single-owner collection sales including Stunners and The Collection of William Drummond, and was Head of Sale for The Astor Collection from Tillypronie, Aberdeenshire.
Scarlett Walsh

Scarlett Walsh

Associate Specialist | Early European Sculpture & Works of Art

Scarlett Walsh joined Christie’s in 2018 as a Global Graduate Trainee based in London. The programme saw her work across six departments ranging from Old Master Paintings to Books & Manuscripts to Post-War & Contemporary Art. She joined the Early European Sculpture Department as a Junior Specialist in the Spring of 2020.

Scarlett graduated from the University of Cambridge with a BA in History of Art, followed by a Master’s degree from The Courtauld Institute of Art where she specialised in the visual culture of medieval Italy, with a particular focus on Sienese artists.

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