Sir Edwin Landseer

Sir Edwin Landseer (1802–1873) was a pre-eminent British painter and sculptor whose work played a defining role in Victorian visual culture. Born in London into an artistic family — his father, John Landseer, was an engraver — he showed early talent and was admitted to the Royal Academy Schools at just 13. Landseer quickly established himself with finely observed animal studies, combining technical precision with a profound understanding of character and narrative. His skill in portraying dogs, horses, stags and other wildlife earned him widespread acclaim, and his works were sought by both private collectors and the British royal family.

Landseer’s paintings are celebrated for their combination of naturalistic detail and emotive storytelling. Works such as The Monarch of the Glen (1851) and Laying Down The Law (1840) exemplify his ability to endow animals with a sense of dignity, intelligence and moral presence, bridging the gap between portraiture and allegory. He also exhibited a remarkable facility for rendering the subtleties of light and texture, from the sheen of a dog’s coat to the atmospheric drama of the Scottish Highlands.

In addition to painting, Landseer contributed to public sculpture, most famously the lion figures at the base of Nelson’s Column in Trafalgar Square, London. Knighted in 1850, Landseer’s influence extended well beyond his lifetime, shaping the public’s perception of animals in art and solidifying his reputation as one of the foremost British artists of the 19th century.

Sir Edwin Henry Landseer, R.A. (London, 1802-1873)

Alpine Mastiffs Reanimating a Distressed Traveller

Sir Edwin Henry Landseer, R.A. (London 1802-1873)

Study of Rachel (Lady Rachel Russell), half-length, in a green dress, reading a book

SIR EDWIN HENRY LANDSEER, R.A. (LONDON 1802-1873)

A Sussex Spaniel and a pheasant

Sir Edwin Henry Landseer, R.A. (1802-1873)

Double portrait of the Hons Mary Isabella and Cecile Katherine Carington, unfinished

Sir Edwin Henry Landseer, R.A. (British, 1802-1873)

Tapageur, the Poodle belonging to the Honorable Frederick Byng

Sir Edwin Henry Landseer, R.A. (1802-1873)

Some of the best harts in the forest

Sir Edwin Henry Landseer, R.A. (British, 1802-1873)

A stag and two hinds before a loch

Sir Edwin Henry Landseer, R.A. (1802-1873)

Study of a stag with a subsidiary study of the right hind leg

SIR EDWIN HENRY LANDSEER, R.A. (1802-1873)

Portrait of Catherine Seyton

Sir Edwin Henry Landseer, R.A. (London 1802-1873)

Sketch of Munro of Novar bathing at Brighton

Henriëtte Ronner-Knip (1821-1909)

A Blenheim Cavalier King Charles spaniel reclining

Sir Edwin Henry Landseer, R.A. (1802-1873)

Study of a lion ( recto ); and Study of a bull ( verso )

Sir Edwin Henry Landseer, R.A. (1802-1873)

Caricature of Edward Ellice as a robin

Johann Hartung (1836-1918)

Study of four dachshund puppies

Sir Edwin Henry Landseer, R.A. (London 1802-1873)

The Duchess of Bedford, rubbing her ankle after a sprain

Sir Edwin Henry Landseer, R.A. (London 1802-1873)

Portrait study of Niccolò Paganini, full-length in profile

Sir Edwin Henry Landseer, R.A. (London 1802-1873)

Five studies of members of the Bedford family, including the Duchess of Bedford holding a trowel (illustrated); Cosmo Russell; Wriothesley Russell; a Study of Big Isabel; and an illustrated letter to Romilly

Sir Edwin Henry Landseer, R.A. (1802-1873)

School boys playing with a pig

SIR EDWIN HENRY LANDSEER, R.A. (LONDON 1802-1873)

Study for 'Alpine mastiffs reanimating a distressed traveller'

AFTER EDWARD LANDSEER

A group of four dog portraits

After Sir Edwin Henry Landseer

Prince George's Favourites

Sir Edwin Henry Landseer, R.A. (London 1802-1873)

Gilbert Stuart Newton, R.A. (1794-1835), full-length in a frock coat, a double sided sheet of studies; and A study of Johnny Purves (d. 1867) of Purves Hall, Berwickshire

Sir Edwin Henry Landseer R.A. (1802-1873)

Lady Fitzharris' dog 'Venus', left at home

Sir Edwin Henry Landseer, R.A. (1802-1873)

Figure study of Sir Walter Scott; and two sheets of studies from a sketchbook, one with studies of heads ( recto ) and studies of heads and an eagle ( verso ), the other with studies of a man in arab dress ( recto ) and a study of a woman ( verso )

Sir Edwin Henry Landseer, R.A. (1802-1873)

Design for a cartouche formed of stag heads and antlers

Circle of Sir Edwin Henry Landseer (1802-1873)

A terrier with her puppies and a kitten

Follower of Sir Edwin Landseer

A faithful friend

Sir Edwin Henry Landseer, R.A. (London 1802-1873)

Portrait study of Katherine Jane Ellice, three-quarter-length, seated, holding a flower; and Study of Charles Matthews, striding out

SIR EDWIN HENRY LANDSEER, BT., R.A. (LONDON 1802-1873)

A stag with an envelope in its mouth

SIR EDWIN HENRY LANDSEER, R.A. (BRITISH, 1802-1873)

The Arrest of the False Herald, from Sir Walter Scott's 'Quentin Durward'