VARIOUS PROPERTIES
A CARVED WOODEN RELIEF OF THE ASSUMPTION OF THE VIRGIN

Details
A CARVED WOODEN RELIEF OF THE ASSUMPTION OF THE VIRGIN

ARTUS QUELLINUS THE YOUNGER (1625-1700), 1693
Signed and dated 'A. Quellinus. Anno 1693'.
On an ebonised wooden mount and in a moulded wooden frame.
The left arm and the right thumb of the Virgin lacking, other minor damages to the putti.
19 5/8in. (49.8cm.) high
Literature
COMPARATIVE LITERATURE:
Brussels, Musées Royaux des Beaux-Arts de Belgique, La Sculpture au Siècle de Rubens, 15 July - 2 Oct. 1977, p. 158, nos. 121, 124

Lot Essay

Artus Quellinus the Younger was the cousin and student of Artus the Elder, who is perhaps best known for the work he did on the decoration of the Town Hall in Amsterdam in the 1650s and early '60s. Artus the Younger collaborated on this large decorative project; however, he also went on to establish a successful career as an independent sculptor. The present relief is closely related to a small terracotta model by Artus II, which was a study for a predella panel for the altar of the Virgin in the cathedral at Antwerp. Both reliefs exhibit a similar composition, with the Virgin displaying a strong sense of upward, diagonal movement, supported below by several cherubs (op.cit., no. 124).

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