Lot Essay
A drawing of the same subject, but with the composition reversed, is in the National Gallery of Scotland, K. Andrews, Catalogue of Italian Drawings, Cambridge, 1968, I, p. 85, D1616, II, fig. 595.
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Saint Anthony Abbot and a Centaur
Details
Jacopo Negretti, Palma il Giovane (1544-1628)
Negretti, J.
Palma
Saint Anthony Abbot and a Centaur
black chalk, pen and brown ink, brown wash, watermark fleur-de-lys on three mounts in a cartouche, a small made up area lower left
8.5/8 x 10.3/8 in. (220 x 264 mm.)
Negretti, J.
Palma
Saint Anthony Abbot and a Centaur
black chalk, pen and brown ink, brown wash, watermark fleur-de-lys on three mounts in a cartouche, a small made up area lower left
8.5/8 x 10.3/8 in. (220 x 264 mm.)
Provenance
The Sagredo-Borghese Album (L. 2103a), with related number 'G.P. no. 143' (verso, laid down).
Samuel Woodburn; Christie's, 4 June 1860, part of lot 1074 (60gns. for the album to Sir Thomas Phillipps).
Sir Thomas Phillipps, by descent to
Thomas Fitzroy Fenwick.
Dr. A.S.W. Rosenbach, 1930.
Philip H. and A.S.W. Rosenbach Foundation, Philadelphia.
The British Rail Pension Fund, 1978; Sotheby's New York, 11 January 1990, lot 52.
Samuel Woodburn; Christie's, 4 June 1860, part of lot 1074 (60gns. for the album to Sir Thomas Phillipps).
Sir Thomas Phillipps, by descent to
Thomas Fitzroy Fenwick.
Dr. A.S.W. Rosenbach, 1930.
Philip H. and A.S.W. Rosenbach Foundation, Philadelphia.
The British Rail Pension Fund, 1978; Sotheby's New York, 11 January 1990, lot 52.
Literature
J.A. Gere. 'The Lawrence-Phillipps-Rosenbach Zuccaro Album', Master Drawings, 1970, VIII, pp. 136-7, no. 34, fig. 7.