Lucien Pissarro (1863-1944)
Lucien Pissarro (1863-1944)

Blackpool Valley, The white house

Details
Lucien Pissarro (1863-1944)
Blackpool Valley, The white house
signed with monogram and dated '1913' (lower left)
oil on canvas
25½ x 21½ in. (64.8 x 54.5 cm.)
Provenance
Purchased by the present owner's family from the artist in 1913, and by descent.
Literature
L. Pissarro, Sketchbook 71, Pissarro Family Archive, Oxford.
Letters, Pissarro Family Archive, Oxford: Lucien to Orovida, 5 March 1913 (with sketch); Lucien to Esther, 5 October 1913.
J.B. Manson, The Studio, Mr Geoffrey Blackwell's Collection of Modern Pictures, 15 May 1914, pp. 271-82, 277 (illustrated).
A. Thorold, A Catalogue of the Oil Paintings of Lucien Pissarro, London, 1983, no. 157, p. 97 (illustrated).
Exhibited
London, Carfax and Co., Lucien Pissarro, May 1913, no. 9.

Lot Essay

The present work was painted at Blackpool in Devon during the spring of 1913. Pissarro lived at The Mill with his daughter Orovida and the painter James Brown. In July the party moved onto Rye and met up with the painter James Bolivar Manson.

The present owner's family purchased this work at the artist's first one-man exhibition in 1913. A year later, J.B. Manson (loc. cit.) described the painting as: 'so completely successful a picture ... that it holds a unique position. This work is a balanced, harmonious, architectural composition; line supports line and plane is consequent upon plane and related to it with a logic not common in Impressionist painting. The picture is suffused in sunlight - a lyrical poem of the morning'.

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