Laurence Stephen Lowry, R.A. (1887-1976)
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Laurence Stephen Lowry, R.A. (1887-1976)

Family Group

Details
Laurence Stephen Lowry, R.A. (1887-1976)
Family Group
signed and dated 'L S Lowry 1967' (lower right), signed and dated again and inscribed 'Family Group/L S Lowry/1967' (on the reverse of the mount)
pencil
16½ x 11½ in. (42 x 29.2 cm.)
Provenance
Purchased direct from the artist by the present owner in March 1972.
Literature
L. Ives, Some Memories of Laurence Stephen Lowry, R.A., Manchester Medicine, 1989, IV, no. 2, pp. 11-14 (illustrated).
Exhibited
Nottingham, University Art Gallery, L.S. Lowry, R.A., May-June 1974, no. 41.
Manchester, Whitworth Art Gallery, The Ives Collection of L.S. Lowry, February-March 1974, no. 11.
Mottram-in-Longdendale, The Old Courthouse, L.S. Lowry Mottram Memorial Exhibition, June 1973, no. 5 (illustrated).
Stalybridge, Astley Cheetham Art Gallery, L.S. Lowry, November-December 1983, no. 43 (illustrated).
Salford, Art Gallery, L.S. Lowry Centenary Exhibition, October-November 1987, no. 312.
Middlesborough, Arts Council, South Bank Board, Cleveland Art Gallery, The Art of L.S. Lowry, December 1987-January 1988, no. 67 (illustrated): this exhibition travelled to Coventry, Herbert Art Gallery and Museum, January-February 1988; Stoke-on-Trent, Art Gallery, March-April 1988; Exeter, Royal Albert Memorial Museum, April-May 1988; London, Barbican Art Gallery, August-October 1988.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

"I never asked Lowry if I could buy a painting or a drawing but always let the proposal come from him. Quite often I would visit him, arriving at about 8.30 pm. and staying until the early morning hours, every few months, and a year or two would pass without buying a work. Then, as with this drawing, he would produce a portfolio of work and tell me that if I'd like to look through them I could have one. There were usually about twenty or twenty-five drawings in each portfolio and from folio to folio there seemed to be a gradation according to a certain 'quality' range. Once I seized upon a drawing of several persons pulling the ears of a fat boy and Lowry promptly took it from my grasp, 'Wrong portfolio, Sir, it should never have been in that one.'
So I did not get it!
This large and bizarre drawing Family Group I like very much for the implicit comments on people and age.
'Who are they, Sir? They are my friends and neighbours. Look along the Stalybridge Road (where The Elms is situated) and you will see every one of them - all done from life ... all done from life. Now there's a good title - Friends and Neighbours but it might offend so let's call it Family Group. They are still there - just take a look around.'
I had, in fact, already recognised at least two of them. A week of two later I reported back to Lowry that I had seen them all and he was delighted.
'What did I tell you, Sir? What did I tell you? They are all outside, every one of them ... even the dog!'"

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