A Berlin two-handled topographical Amphorenvase
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A Berlin two-handled topographical Amphorenvase

CIRCA 1850, STENCILLED BLUE SCEPTRE AND SEAL IRON-RED ORB AND KPM MARK, INCISED VI IMPRESSED K

Details
A Berlin two-handled topographical Amphorenvase
Circa 1850, stencilled blue sceptre and seal iron-red orb and KPM mark, incised vi impressed k
The verzierten handles formed as papyrus fronds enriched with bright and matt gilding, each side of the neck with oak branches flanking a gilt medallion with a ciselé eagle with one claw on a helmet, the body painted with views of Schloss Sans=souci. and Das neue Palais., named in black script to the inside of the neck, within square gilt cartouches with ciselé scrolling foliage and flowerheads, the lower part resting on an ormolu collar and with a band of up-turned gilt stiff-leaves below stylised gilt line flutes with ivy and flowerheads, the waisted foot similarly decorated and edged with trailing foliage between vertical brown, mauve and gilt bands, on a square gilt plinth reserved with white rectangular panels (minor hairline crack to lower part, one corner of plinth chipped, another corner slightly ground at time of manufacture, very slight wear to gilding in places)
25¾ in. (65.5 cm.) high
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This view of the Palace of Sanssouci was derived from Carl Daniel Freydanck's dated painting of 1843 in the KPM archive, Schloss Charlottenburg (Inv. No. 173).

Sanssouci was built by Frederick II 'The Great' (1712-1786) in 1745-47 as a single-story private residence. The terraced gardens below it had fountains and commanded superb views over Potsdam. The grounds of the palace were extended and remodelled as part of a larger vision for the Potsdam area by Peter Joseph Lenné (1789-1866).

The cast-iron bridge over the Schafgraben (Sheep Canal) in the foreground was built by the architect Karl Friedrich Schinkel (with whom Lenné frequently collaborated) in 1836, replacing the earlier much simpler bridge. After succeeding to the throne in 1840, Friedrich Wilhelm IV, King of Prussia (1795-1861), improved the water pressure of the great fountain just beyond the bridge by installing a steam engine (in 1842) which pumped water up the Ruinenberg to a reservoir. Previously, the great fountain had rarely been in use because there was insufficient water pressure. The basin of the fountain was replaced by a larger one, and this in turn altered the layout of the sculptures placed around it. The vase also shows the stone benches seen between the sculptures. Although they appear in Freydanck's 1843 painting, these benches were not actually installed until 1848; and they do not appear in a contemporary 1843 description of the gardens or in Freydanck's oil sketches. It is currently thought that the porcelain painter, August Walter, added the benches to Freydanck's painting in 1848.

For a discussion of the redevelopments at Sanssouci and an illustration of Freydanck's 1843 painting, see Ilse and Winfried Baer, et al., Along the Royal Road, Berlin and Potsdam in KPM Porcelain and Painting 1815-1848 (New York 1993), The Bard Graduate Center for Studies in the Decorative Arts, New York, Exhibition Catalogue 13th October 1993 - 30th January 1994, pp. 192-193; and Ilse and Winfried Baer et al., Carl Daniel Freydanck 1811-1887 Ein Vedutenmaler der KPM (1987) Schloss Charlottenburg Exhibition Catalogue 6th June - 30th August 1987, pp. 99-100 for another discussion and an oil sketch (p. 100, no. 24 a) by Freydanck for his painting of 1843 (and p. 105 for an illustration of the 1843 painting).

The Neue Palais was built between 1763 and 1769 for Frederick the Great by the architects Johann Gottfried Büring and Heinrich Ludewig Manger as a palace for the more official Royal engagements and ceremonial functions, although Frederick was very influential in its design.

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