Willem Cornelisz. Duyster (1599-1635)
Willem Cornelisz. Duyster (1599-1635)

Soldiers with Plunder

Details
Willem Cornelisz. Duyster (1599-1635)
Soldiers with Plunder
signed 'WC: DUYSTER' (WC in monogram, on the wrapping paper on the ground)
oil on panel, unframed
15 x 22 1/8in. (38 x 56.2cm.)
Provenance
Acquired by Sir Harold Wernher in 1925.
Literature
P.C. Sutton, in the catalogue of the exhibition Masters of Seventeenth Century Dutch Genre Painting, Philadelphia Museum of Art, 18 March-13 May 1984, Berlin, Gemäldegalerie, Museen Preussischer Kulturbesitz, 8 June-12 Aug. 1984 and London, Royal Academy of Arts, 7 Sept.-18 Nov. 1984, p. XXXVII.
Exhibited
London, Royal Academy, Dutch Pictures 1450-1750, 22 Nov. 1952-1 March 1953, no. 217.

Lot Essay

Already unpacked is a silver ewer and basin and a nautilus cup; a soldier holds up a string of pearls. An officer in a comparable pose in profile recurs in the picture in the Basel Kunstmuseum, in which a female companion also holds up a string a pearls. For a commentary on the development of the guardroom theme, of which Duyster was an early exponent, see Sutton (op. cit., pp. XXXVI-XXXVIII).

One of Duyster's finest paintings, to be considered, according to Sutton, an early work executed c. 1625-30. As none of Duyster's small, extant oeuvre (he died aged just over thirty-five) is dated, it is impossible to provide a precise dating for the present picture. The textures in this picture particularly of the costumes of the soldiers in sharp focus in the foreground are finely rendered bearing out Philips Angels' praise of Duyster's skill in rendering silks in his Lof der Schilderkunst of 1642.

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