A BIZEN OSAFUNE SO-DEN TANTO

Details
A BIZEN OSAFUNE SO-DEN TANTO
NAMBOKUCHO PERIOD, DATED 1368, SIGNED BISHU OSAFUNE CHOGI

Configuration (sugata): flat (hira-zukuri) with shallow peaked back (iori-mune); length (nagasa): 7 sun (21.2 cm); curvature (sori): mu-zori.
Forging pattern (jihada): small wood grain (ko-itame) with chikei and ji-nie.
Tempering pattern (hamon): o-notare and o-midare with some wavy 'legs' (ashi); areas of hitatsura appearing ghost-like near the monouchi and the back of the blade is tempered in areas along its entire length (muneyaki).
Point (boshi): midare, coming to an extended point, with long turn-back.
Tang (nakago). Shape (keitai): regular and unshortened (ubu); file marks (yasurime): sujikai; end (nakagojiri): rounded (kurijiri); holes (mekugi-ana): three; signature (mei): Bishu Osafune Chogi, dated Oan 1 (1368), 12th month.

Shirasaya.

Aikuchi-koshirae comprising: a saya made to resemble baleen and lacquered in black, void of all decoration; a fuchi-kashira, kojiri, koiguchi, kurikata and uragawara also in black lacquer; a tsuka in black lacquer and wrapped with a lacquered black-green binding; a pair of copper menuki in the form of shishi; a shakudo nanako kozuka decorated with a running shakudo shishi with gold eyes, inscribed on the back Teruhide with kao--length of koshirae 39.5cm.; length of tsuka 11.2cm.; length of kozuka 9.4cm.

Wood storage box. Brocade and silk storage bags.

Accompanied by a juyo token certificate issued by the N.B.T.H.K., dated Showa 42 (1967); and a tokubetsu kicho koshirae certificate issued by the N.B.T.H.K., no. 0010, dated 1972.
Literature
One Hundred Masterpieces (1992), no. 20.
Compton, Homma, Sato and Ogawa (l976), no. IX.
Exhibited
Compton, Homma, Sato and Ogawa (l976), no. IX.

Lot Essay

Chogi is famous as one of the Ten Great Pupils of Masamune (Masamune Jutetsu) and founder of the Osafune Chogi school. His blades were prized for their exceptional sharpness. As he specialized in long blades, tanto by Chogi are rare. Four of his swords are now registered as National Treasures and three as Important Art Objects. Two of his most famous blades are the Osaka Chogi, owned and prized by Toyotomi Hideyoshi, and the Yatsumata [Eight Legs] Chogi, so-called because it once removed the legs of four men in one stroke.

This example, because of its relative thinness and unusual width, resembles a small wakizashi, which, together with the lively tempering pattern, gives the impression of a Soshu-style blade. This tanto shows very strong similarities to the Osaka Chogi. Liveliness, especially in the typical use of o-midare tempering, characterizes the work of Chogi as an apostle of the Soshu
school in Bizen. This group of So-Den smiths which included Chogi, Kanenaga and Kanemitsu I, exerted great influence within the Bizen tradition, especially in its use of such typical Sagami characteristics as the o-midare/notare hamon, the tight itame hada, liberal use of ji-nie, the hitatsura form of free-floating tempering and the broad proportions of much larger blades.