AN ORMOLU AND BRONZE VASE CLOCK

Details
AN ORMOLU AND BRONZE VASE CLOCK

Of Louis XVI style, the stepped circular top entwined with a serpent with berried finials, concentric revolving chapter rings with Roman and Arabic enamel numerals, the twin barrel movement with platform lever escapement, the berried laurel-swagged body with serpent pointer and pinched socle, the front of the urn now engraved Lepaute her du Roy Paris, on a draped fluted circular plinth and stepped base, the underside of the cover engraved L10266, and the movement stamped J.E.D. and numbered 10789, 19th Century
22in. (56cm.) high

Lot Essay

This Grecian urn with triumphal laurels, veil-draped pedestal and the serpents of Eternity, indicating the clock-face's rotating-rings, derives from a model of the 1760s by the architect/sculptor Gilles Paul Cauvet (d.1788) whose Recueil d'Ornements of 1777 was dedicated to Monsieur, Louis XVI's brother.
An ormolu-enriched marble clock of this model, with a movement by Jean-Andre Lepaute (maître 1759), is in the Musée du Louvre (see: Tardy, La Pendule Francaise, Louis XVI a nos Jours, 2me Partie, p. 289. Augustin Michel Henry (d. 1885), who adopted the name Lepaute in 1854, had held the appointment of Clockmaker to King Louis Philipppe (d. 1848)

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