A Higo Nishigaki School Tsuba And A Higo Toyama Tsuba

EARLY EDO PERIOD (17TH CENTURY)

Details
A Higo Nishigaki School Tsuba And A Higo Toyama Tsuba
Early Edo period (17th century)
The oval iron plate decorated in kebori and gold nunomezogan, pierced with a design of two fans, square mimi, unsigned, with a wood box; and the yasuri-me plate decorated with a mask of Okina and a ginko leaf to the reverse in takabori, gold and silver zogan, rounded mimi, signed Toyama Yoriie saku
3 3/16in. (8.1cm.), mimi 8mm. and 2 13/16in. (7.2cm.), thickness 3.5mm. respectively (2)
Literature
Lundgren Collection, nos. 31 and 202 respectively

Lot Essay

The well forged dark iron of the first piece is typical of the Higo tradition, the careful forming of the contour and slight finish at the edge of the fan is in Hikozo style. The first generation Nishigaki Kanshiro was a student of the first generation Hikozo in 1613 and this example could be one of his early works.

The artist of the second piece worked in Kumamoto and is of the same family as Yoritsugu. They sometimes used Minamoto as the family name. Yoriie made ita tsuba in a particular style.

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