Lot Essay
In retrospect Lowry was to say 'The years from 1924 to 1932 were the happiest of my life' (L.S. Lowry to Professor Hugh B. Maitland, on tape, 1970). The artist was achieving a modest measure of success which gave him hope and faith in his vision. Observing his work at that time Jessica W. Stevens (The Studio, vol. 95, no. 48, January 1928) wrote: 'It is penetrative, incisive, stinging and may even be sarcastic. There is something almost Olympian in the observation ... where fly-like congregations of busy humans are seen from above, little legs half bent in the effort to get on; little heads full of little personal concerns'. The present work, dated 1931, was painted in the year before Lowry's father died, an event that would herald a complete change in Lowry's life.