A Dutch silver tazza (Hansje in de kelder)
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A Dutch silver tazza (Hansje in de kelder)

MARK OF JAN HERMANSZ. VAN OSSEVOORT, DORDRECHT, 1644

Details
A Dutch silver tazza (Hansje in de kelder)
Mark of Jan Hermansz. van Ossevoort, Dordrecht, 1644
The bowl of hexafoil form on conforming domed base chased with a band of scrolls and foliage, the stem with three scroll brackets each with baluster pendants supporting the bowl, with chased fruit and scroll border, the centre with detachable dome enclosing a 'Hansje' figure, marked on outer border
12.2 cm. (4 7/8 in.) high
106 gr. (3 oz.)
Provenance
Anonymous sale; Christie's, Amsterdam, 21 March 1977, lot 266 (to Dreesmann).
Dr Anton C.R. Dreesmann (inventory no. G-17).
Literature
Catalogue of the exhibition, Selections of XVII and XVIII Century Dutch Art from the Collection of Dr. A.C.R. Dreesmann, Notre Dame, Indiana, The Snite Museum of Art, 17 October 26 December 1982, p. 69, no. 42, illustrated.
Exhibited
Notre Dame, Indiana, The Snite Museum of Art, Selections of XVII and XVIII Century Dutch Art from the Collection of Dr. A.C.R. Dreesmann, 17 October 26 December 1982, no. 42.
Special notice
Christie's charges a Buyer's premium calculated at 20.825% of the hammer price for each lot with a value up to €90,000. If the hammer price of a lot exceeds €90,000 then the premium for the lot is calculated at 20.825% of the first €90,000 plus 11.9% of any amount in excess of €90,000. Buyer's Premium is calculated on this basis for each lot individually.

Lot Essay

Hansje in de kelder (Jack in the basement) tazze were used to announce the birth of a child, the 'Hansje' symbolising the unborn child. The domed section in the centre of the bowl of the present cup is fitted with a float to which a small figure (Hansje) is affixed; when the bowl is filled the figure pops up.

Generally, such tazze were produced during the 17th century in the provinces of Holland, Zeeland, and Friesland. Six examples are known from the town of Dordrecht. They all bear the mark of Jan Hermansz van Ossevoort and share the same type of construction and decoration. The stem seems to be the only part of the cup in which some differences may be found (see catalogue of exhibition, Dordrechts goud en zilver, Dordrecht, 1975, p. 103, no. 14). Ossevoort worked as a silversmith in Dordrecht between 1619 and 1656. His mark is also found on communion beakers. In 1638 he became dean of the Silversmith's Guild. (see B. Molen-den Outer, 'Hansje in de kelder', in: Spiegel Historiael 10, 1975, pp. 114 - 116).

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