A LOUIS XVI ORMOLU-MOUNTED TULIPWOOD, AMARANTH, SYCAMORE AND FLORAL- PARQUETRY TABLE A ECRIRE
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A LOUIS XVI ORMOLU-MOUNTED TULIPWOOD, AMARANTH, SYCAMORE AND FLORAL- PARQUETRY TABLE A ECRIRE

BY MARTIN CARLIN AND RETAILED BY THE MARCHAND-ÉBÉNISTE NICHOLAS-PIERRE SÉVERIN

Details
A LOUIS XVI ORMOLU-MOUNTED TULIPWOOD, AMARANTH, SYCAMORE AND FLORAL- PARQUETRY TABLE A ECRIRE
By Martin Carlin and retailed by the marchand-ébéniste Nicholas-Pierre Séverin
Inlaid overall with floral trellis marquetry, with mechanical action, the chamfered rectangular sliding top and pierced three-quarter gallery above a tablet-centred panelled frieze drawer, with channelled sanded and foliate banding, the top sliding back to reveal a enclosing a fitted interior with scarlet silk velvet-lined slide and two hinged compartments, on stop-fluted octagonal tapering legs headed by pinched foliate collars and with conforming stiff-leaf sabots, stamped on the underside 'M.C...', 'JME', 'N.P. SEVERIN' and five times 'IF', the escutcheons 18th Century but not original
27¾ in. (70.5 cm.) high; 30½ in. (77.5 cm.) wide; 17½ in. (44.5 cm.) deep
Provenance
Almost certainly bought by Thomas, 2nd Marquess of Bath (1765-1837) for Longleat, Wiltshire and by descent at Longleat.
Literature
1869 Inventory, The Marchioness' Sitting Room, 'A Louis XVI parqueterie writing table with drawer and writing slide ormolu gallery and mounting'.
1896 Inventory (2nd Marquess' Heirlooms), f 79 r Drawing Room, 'A 2 ft 6 in oblong shaped inlaid satinwood and kingwood Ladys writing table fitted drawer velvet lined writing flap, pierced gilt-brass gallery, gilt enrichments on reeded legs top inlaid squares with tulip border'. H. Granville Fell (ed.), The Connoisseur Year Book, 1951, London, p. 44, fig. XII.
P. Verlet, French Furniture and Interior Decoration of the 18th Century, London 1967, pp. 189-190, fig. 157.
G. de Bellaigue, The James A. de Rothschild Collection at Waddesdon Manor, Fribourg, 1974, no. 75, pp.374).
D. Burnett, Longleat, The Story of an English Country House, Dorset, 1988, rev. ed, p. 131.
M. Aldrich, 'The Marquess and the Decorator', Country Life, 7 December 1989, p. 167, fig. 9.
S. Morris, 'Lives of Bath', The Antique Collector, December/January 1993/1994, p. 31.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Martin Carlin, maître in 1766.
Nicholas-Pierre Séverin, maître in 1757.

This jewel-like table, retaining almost all of its original highlighted engraving to the marquetry, is a rediscovered masterpiece by Martin Carlin. Until now, only the stamp of the marchand-ébéniste Severin had been noted - and indeed although Carlin's stamp is not obliterated entirely, it is sufficiently indistinct to suggest that Severin may have disguised it when retailing the table.

With its breakfronted-treatment of the panelled frieze, octagonal fluted tapering legs with gadrooned capital, upspringing chandelles above stiff-leaf and acanthus-cup sabots often with castors, this table belongs to an exceptional group. All executed by Carlin, apparently exclusively for the marchands-merciers, particularly Simon-Philippe Poirier and his successor Dominique Daguerre, this group is embellished with either Sèvres porcelain or marquetry. Of these:-
- the earliest and most expensive, mounted with Sèvres porcelain plaques, was sold by Poirier to madame du Barry in 1772 for 5,500 livres. Now in the Gulbenkian Foundation, Lisbon, it is discussed in P. Coutinho, 18th Century French Furniture, Calouste Gulbenkian Museum, Lisbon, 1999, no.25, pp.241-253.
-a second, with obliterated stamp and Sèvres porcelain plaques dated 1778, was sold anonymously at Sotheby's New York, 5 November 1998, lot 462 ($2,972,500). In that Poirier and, after 1777 his successor Daguerre enjoyed a virtual monopoly over the purchase of porcelain plaques produced at the Sèvres manufactory for furniture, it is fair to assume that this was ordered by Daguerre.
-A third table of this form, decorated in a marquetry of linked ovals enclosing foliate lozenges and stamped by Carlin, is in the Widener Collection at the National Gallery of Art, Washington (Acc. no. C-278).
Three further tables by Carlin of similar form, but with variations in the mounts and surmounted by exceptional specimen marble tops are known. Of these, one decorated with Japanese lacquer was sold from the collection of the late André Meyer, Christie's New York, 26 October 2001, lot 50 ($1,431,500); another, decorated in Louis XVI 'Boulle' marquetry, was sold from the collection of Francis Guérault, Paris, 31 March 1935, lot 96; and the last, decorated in ebony, was sold from the collection of Jacques Doucet, Galerie Georges Petit, Paris, 7-8 June, 1912, lot 333, resold Ader Picard Tajan, Palais Galliera, Paris, 24 November 1976, Lot 111.

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