Jean-Michel Basquiat (1960-1988)
Jean-Michel Basquiat (1960-1988)

The Whole Livery Line signed, titled and dated '"THE WHOLE LIVERY LINE" Jean-Michel Basquiat 87' (on the reverse) acrylic, oil and oilstick on canvas 49½ x 39½ in. (125.6 x 100.3 cm.) Executed in 1987. Pay For Soup signed, titled and dated 'Jean-Michel Basquiat "PAY FOR SOUP" 87' (on the reverse) acrylic, oil and oilstick on canvas 49½ x 39½ in. (125.6 x 100.3 cm.) Executed in 1987. Universal signed, titled and dated 'Jean-Michel Basquiat 'Universal' 87' (on the reverse) acrylic, oil and oilstick on canvas 49½ x 39½ in. (125.6 x 100.3 cm.) Executed in 1987.

Details
Jean-Michel Basquiat (1960-1988)
The Whole Livery Line
signed, titled and dated '"THE WHOLE LIVERY LINE" Jean-Michel Basquiat 87' (on the reverse)
acrylic, oil and oilstick on canvas
49½ x 39½ in. (125.6 x 100.3 cm.)
Executed in 1987.

Pay For Soup
signed, titled and dated 'Jean-Michel Basquiat "PAY FOR SOUP" 87' (on the reverse)
acrylic, oil and oilstick on canvas
49½ x 39½ in. (125.6 x 100.3 cm.)
Executed in 1987.

Universal
signed, titled and dated 'Jean-Michel Basquiat 'Universal' 87' (on the reverse)
acrylic, oil and oilstick on canvas
49½ x 39½ in. (125.6 x 100.3 cm.)
Executed in 1987.
Provenance
Vrej Baghoomian Inc., New York
Galerie Hans Meyer, Düsseldorf
Literature
T. Shafrazi, Jean-Michel Basquiat, New York 1999, pp. 284-285 (illustrated)
R. D. Marshall, and J.-L. Prat, Jean-Michel Basquiat, Paris 2000, pp.260-262, no.7-9 (illustrated).
Exhibited
New York, Vrej Braghoomian Inc., Jean-Michel Basquiat, October-November 1989, no. 30-32 (illustrated).

Lot Essay

Image courtesy of the artist.

A suite of three Jean-Michel Basquiat paintings from 1987, these paintings evoke Basquiat's "graffiti" roots when the artist was first living in New York and spray-painting spontaneous "street poetry" on buildings. Basquiat combines texts--equally humorous and cryptic and rendered in the artist's raw, yet poignant handwriting--with a few scattered scattered images. As is evidenced by the abbreviated "TWOM" in Pay for Soup, a clear influence is Cy Twombly, one of the artist's heroes, whose work has long merged poetry with painting. Like Twombly, Basquiat elevated small details--a diamond shape, a universal logo, scrawled text--by realizing them on a large-scale and thereby turning them into grander statements about culture and society.

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