AN ENAMELED WHITE GLASS SNUFF BOTTLE
AN ENAMELED WHITE GLASS SNUFF BOTTLE

IMPERIAL, THE PALACE WORKSHOPS, BEIJING, 1767-1799

Details
AN ENAMELED WHITE GLASS SNUFF BOTTLE
IMPERIAL, THE PALACE WORKSHOPS, BEIJING, 1767-1799
Of flattened, rounded form tapering to a flat oval foot, finely painted on either side with a cricket, the flat foot inscribed in iron-red Guyue Xuan, 'Ancient Moon Pavilion', stopper
2¼ in. (5.6 cm.) high
Provenance
Ko Collection (Shanghai, 1933)
Christie's London, 10 June 1974, lot 58
Hugh M. Moss Ltd.
Irving Lindzon (Toronto, 1987)
Literature
JICSBS, Autumn, 1988, front cover
JICSBS, Winter 1988, p. 37
Moss et. al., The Art of the Chinese Snuff Bottle, The J&J Collection, vol. 1, no. 201
The Art of the Chinese Snuff Bottle, Poly Art Museum, Beijing, p. 79
Exhibited
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

The cricket, either alone or with its cage, became a very popular subject on snuff bottles during the early nineteenth century. An emblem of courage, the cricket in Chinese is pronounced guoguo which sounds the same as the word 'country'. The rebus is interpreted as jinzhong baoguo, meaning 'to be loyal to one's country'. Large quantities of Imperially made bottles were presented to officials around the country, as a sign of Imperial recognition they were a signal honor. Such a pun would have been a subtle and effective way of reminding officials of an essential feature of Confucian government. Another reason for the popularity of the cricket imagery is linked to the production of cricket cages and the popular pastime of cricket fights.

This exceptional enameled glass bottle is designed with all the confidence of the best of Guyuexuan wares. The insects are intricately and naturalistically painted, and the composition stands out dramatically against the white ground. For two other enamelled glass bottles of similar subject and shape, see Zhongguo Biyanhu Zhenshang, Gems of Chinese Snuff Bottles, no. 113; and the other sold at Sotheby's London, 23 March 1988, lot 111.

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