Jean-Michel Basquiat (1960-1988)
Formerly in the collection of his good friend Andy Warhol, Untitled is one of a number of noteworthy Jean-Michel Basquiat works that incorporate found objects. He generally chose things with a certain amount of patina and age, which worked well with his rough-and-ready style. Throughout his career, the artist painted on, among other things, easels, doors, windows, doors and boxes. In the present lot, the object itself adds meaning to the work--Basquiat has chosen an artist's drafting table, a place of creation, which in some sense points to it being a kind of self-portrait. Basquiat covered the entire table-top in a flesh color paint, over which he painted in electric blue and black, the compelling figure of man with a halo/crown of thorns. The work straddles painting and sculpture in a compelling and raw way that is unique to Basquiat.
Jean-Michel Basquiat (1960-1988)

Untitled

Details
Jean-Michel Basquiat (1960-1988)
Untitled
acrylic and oil on drafting table
53½ x 42 x 26 in. (135.9 x 106.7 x 66 cm.)
Executed in 1984.
Provenance
Andy Warhol Collection, New York
Robert Miller Gallery, New York
Literature
R. Marshall, E Navarra and J.L. Prat, Jean-Michel Basquiat, Paris 2000, Volume II, 3rd edition, p. 224, no. 2 (illustrated)
Sale room notice
This work is accompanied by a certificate issued by the Authentication Committee for the Estate of Jean-Michel Basquiat.

Lot Essay

Formerly in the collection of his good friend Andy Warhol, Untitled is one of a number of noteworthy Jean-Michel Basquiat works that incorporate found objects. He generally chose things with a certain amount of patina and age, which worked well with his rough-and-ready style. Throughout his career, the artist painted on, among other things, easels, doors, windows, doors and boxes.

In the present lot, the object itself adds meaning to the work--Basquiat has chosen an artists drafting table, a place of creation, which in some sense points to it being a kind of self-portrait. Basquiat covered the entire table-top in a flesh color paint, over which he painted in electric blue and black, the compelling figure of man with a halo/crown of thorns. The work straddles painting and sculpture in a compelling and raw way that is unique to Basquiat.

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