Lot Essay
The first accompanied by a Hozon Tosogu [Sword Fitting Worthy of Preserving] certificate no.442321, issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword] on 20 June 2002.
The fourth accompanied by a unka Shiryo Tosogu certificate no.53040, issued by the Sword Fittings Museum, Tokyo, on 31 March 2001.
The sixth accompanied by a Hozon Tosogu [Sword Fitting Worthy of Preserving] certificate, issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword].
The seventh: A number of artisans named Shichizaemon used this signature during the early Edo period, including Shigeyoshi, Muneshige, Yoshinaga, and Shigenaga of the Umetada school. Accompanied by a Hozon Tosogu [Sword Fitting Worthy of Preserving] certificate no.447490, issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword] on 22 February 2005.
The fourth accompanied by a unka Shiryo Tosogu certificate no.53040, issued by the Sword Fittings Museum, Tokyo, on 31 March 2001.
The sixth accompanied by a Hozon Tosogu [Sword Fitting Worthy of Preserving] certificate, issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword].
The seventh: A number of artisans named Shichizaemon used this signature during the early Edo period, including Shigeyoshi, Muneshige, Yoshinaga, and Shigenaga of the Umetada school. Accompanied by a Hozon Tosogu [Sword Fitting Worthy of Preserving] certificate no.447490, issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword] on 22 February 2005.