AN UNUSUAL LARGE PAINTED POTTERY FIGURE OF A PIEBALD HORSE
THE PROPERTY OF A NORTH AMERICAN COLLECTOR
AN UNUSUAL LARGE PAINTED POTTERY FIGURE OF A PIEBALD HORSE

TANG DYNASTY (618-907)

Details
AN UNUSUAL LARGE PAINTED POTTERY FIGURE OF A PIEBALD HORSE
TANG DYNASTY (618-907)
Well modelled with a powerful body standing foursquare and with an air of tense alertness, with open mouth, pricked ears and parted forelock, the hogged mane with a single long lock of hair on one side, the crisply molded saddle set atop a blanket, the brick-red body painted with large white spots of irregular outline in imitation of piebald markings
29 in. (73.6 cm.) high

Lot Essay

The Tang nobility were legendary for their love of horses, so much so that the court passed a law in 667 that allowed only members of the elite to ride. Noble families might own literally thousands of horses, with different types for use in the cavalry, for hunting and polo. The present figure is particularly rare both for its size and for the depiction of the piebald markings. A glazed caparisoned horse painted with pale circular markings is in the Nelson-Atkins Museum of Art, Kansas City, and illustrated in the Handbook of the Collection, New York, 1993, p. 292 (right). Another glazed piebald or dappled horse is in the Kyoto National Museum and illustrated by Li Zhi Yan, The Art of Glazed Pottery of China, Beijing, 1989, p. 48, pl. 191. See, also, V. Bower, "Two Masterworks of Tang Sculpture", Orientations, June, 1993, p. 77, fig. 15, where the author illustrates a late 7th century wall painting from a tomb in Taiyuan, Shaanxi province depicting a groom with a dark-spotted pale horse.

The result of Oxford Authentication Ltd. thermoluminescence test no. C100s35 is consistent with the dating of this lot.

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