Lot Essay
The commodes, with inlaid medallions of veil-draped rose bouquets celebrating lyric poetry, are designed in the George III Roman fashion introduced in the 1770s.
The rose-medallion, has been adapted in reverse from those featured on a number of commodes attributed to the London firm of Ince and Mayhew and the Dublin firm of William Moore (D. Fitz-Gerald, Georgian Furniture: Victoria and Albert Museum, London, 1969, no. 108). The medallion has been introduced in place of figurative medallions as featured on a pair of commodes of this same pattern that was sold anonymously, Christie's, London, 19 November 1981, lot 91.
The rose-medallion, has been adapted in reverse from those featured on a number of commodes attributed to the London firm of Ince and Mayhew and the Dublin firm of William Moore (D. Fitz-Gerald, Georgian Furniture: Victoria and Albert Museum, London, 1969, no. 108). The medallion has been introduced in place of figurative medallions as featured on a pair of commodes of this same pattern that was sold anonymously, Christie's, London, 19 November 1981, lot 91.