A PAIR OF FRENCH GREY-PAINTED AND PARCEL-GILT BANQUETTES COVERED IN BEAUVAIS TAPESTRY
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A PAIR OF FRENCH GREY-PAINTED AND PARCEL-GILT BANQUETTES COVERED IN BEAUVAIS TAPESTRY

THE TAPESTRY PANELS RESTAURATION CIRCA 1820, THE FRAMES 19TH CENTURY

Details
A PAIR OF FRENCH GREY-PAINTED AND PARCEL-GILT BANQUETTES COVERED IN BEAUVAIS TAPESTRY
THE TAPESTRY PANELS RESTAURATION CIRCA 1820, THE FRAMES 19TH CENTURY
Each with rectangular cushion seat covered in close-nailed tapestry with a central palm-and laurel-wreathed Roman shield bearing Jupiter's winged fulcrum, with foliate scrolls to either end, the edges with stylized acorn and oak leaf design, each with with black ink stencil 'CHAT DE CNE' and one with black stencilled inventory number '1349' the other with number '1348' and a '3' in black paint
77 in. (195.5 cm.) long (2)
Provenance
The Château de Compiègne.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

Probably designed for a billiard room, a closely related banquette from the collection of Paul Dutasta is illustrated in F.J.B. Watson, Louis XVI Furniture, London, 1960, fig.203.

Compiègne was a favoured hunting ground for the French Royal family. During the French Revolution, the Royal palace of Compiègne passed under the jurisdiction of the Minister for the Interior, whose task it was to liquidate all assets. In 1795, all the château's furniture ensembles were sold and the works of art were sent to the Muséum Central. 1799 and 1800 saw the setting up of the 'Prytanée militaire' and Bonaparte's first visit. Napoleon was said to look upon Compiègne as his 'Versailles' and the château was extensively refurbished by the Garde-Meuble Impérial.

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