A rare George III four train musical and quarter chiming longcase clock
No VAT will be charged on the hammer price, but VA… Read more
A rare George III four train musical and quarter chiming longcase clock

THOMAS LINDLEY, LEICESTER. CIRCA 1775

Details
A rare George III four train musical and quarter chiming longcase clock
Thomas Lindley, Leicester. Circa 1775
The re-decorated case with skirted plinth and breakarch trunk door, the hood with ¾-columns, the dial signed Thos. Lindley Leicester in the silvered centre with engraved seconds ring and Chime/Not Chime lever (meaning music), silvered chapter ring with blued steel hands, foliate rocaille spandrels, the arch with silvered disc indicating the calendar and seven tune selection for each day of the week;
Sunday Psalm 104
Monday Minuet
Tuesday Minuet
Wednesday Song Tune
Thursday Minuet & Rigadoon
Friday Minuet
Saturday Song Tune
the very substantial movement with eight robust pillars (two central pillars latched), the front plate signed Made Sepr. Octr. Novr. 1775 S D, four trains; going with anchor escapement, original beatscale to the inside of the trunk signed Made by the direction of W Ludlam for Samuel Darker of Tugby 1776, the strike train with hours struck on a large bell secured to the backplate, the quarter train with sub-pin barrel to the left side of the movement playing on eight in the nest of bells, the musical train playing on fourteen bells with fourteen hammers and 5¼in. long pin barrel extended through the backplate with three additional pillars and sub-plate
6ft. 8½in. (205cm.) high
Literature
ILLUSTRATED
Tom Robinson, The Longcase Clock, Antique Collectors' Club, 1981, pp. 298-303, figs. 10/23-30
Antiquarian Horology, The Deacon Family of Leicestershire Clockmakers, parts I & II, September 1986, pp. 255-262, pp. 339-357. Antiquarian Horology, A Deacon Musical Clock, Spring 1990, pp. 529-541
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

The present clock is extensively described and illustrated in Antiquarian Horology op. cit..
The exact authorship of this clock is somewhat confusing. The actual clockmaker was Samuel Deacon 1742-1816, the son of a farmer in Leicestershire who showed remarkable aptitude for mechanics at an early age. He came to the notice of a local clockmaker, Joseph Donisthorne with whom Deacon apprenticed for the statuary six years before joining Thomas Lindley as a journeyman in 1768. At this point Deacon was befriended by the Reverend William Ludlam, 1717-1788, vicar of Kings Norton Village (10 miles south of Leicester) and listed in Bennet's Who's Who of Leicestershire 1500-1970 as a 'Mathematician and Mechanical Genius'. It was Ludlam, already a client of Thomas Lindley, who taught Deacon the mechanics of making chiming and musical clocks. This clock therefore had no less than three co-authors; it was made for Samuel Darker of Tugby, designed by the Rev. Ludlam, physically made by Deacon (who dated it to the nearest month) and finally retailed (and probably overseen) by Thomas Lindley.

More from IMPORTANT CLOCKS

View All
View All