ATTRIBUTED TO ERASTUS SALISBURY FIELD (1805-1900), 1836
ATTRIBUTED TO ERASTUS SALISBURY FIELD (1805-1900), 1836

Portrait of Henry Allen Pease

Details
ATTRIBUTED TO ERASTUS SALISBURY FIELD (1805-1900), 1836
Portrait of Henry Allen Pease
oil on canvas
35¼ x 28 7/8 inches
Provenance
Thomas D. and Constance R. Williams, Litchfield, Connecticut Sotheby's New York, January 27, 1979, lot 249
Literature
Black, Mary, Erastus Salisbury Field: 1805-1900, Springfield, MA, 1984.
Exhibited
Erastus Salisbury Field: 1805-1900:
Museum of Fine Arts, Sprinfield, MA, February 5-April 1, 1984
National Museum of American Art and National Portrait Gallery, Washington, D.C., June 10-September 4, 1984
Museum of American Folk Art and The Metropolitan Museum of Art, New York, New York, November-December, 1984
Marion Koogler McNay Art Institute, San Antonio, Texas, January-February, 1985

Lot Essay

Born in Leverett, Massachusetts in 1805, Erastus Salisbury Field was largely self-taught. He traveled to New York to study with Samuel F.B. Morse for a brief period of time, and then began a successful career working primarily in the Connecticut and Massachusetts regions. In 1831, he married Phebe Gilmur of Ware, Massachusetts and they had one child.

This portrait of Henry Allen Pease represents the stylistic shift that occurred in Field's work during the 1830's, when he started rendering likenesses with "a softer modeling and assured brushwork, quite different from the crystalline edges of the earlier portraits" (Mary Black, Erastus Salisbury Field, (Springfield, MA, 1984), p. 18). Henry Allen Pease was born in 1831 in Suffield, Connecticut, the son of Anne Jane Clark, who was married to a son of Deacon Harlow Pease. While the father's first name is unknown, he is thought to have owned a grist mill in Alford, Massachusetts. Henry is presented in an elaborate costume, holding a card with flower detail in his hand, looking youthful and naïve in his appearance, yet strong-willed and eager in pose. Henry later married Emily Marion Higgins of Spencertown, New York, and died in Alford, Massachusetts in 1870.

The original black-stained frame with gold leaf stencilled design seen here was used by Field for several portraits completed in Connecticut during the mid-1830's, including those of three generations of the Pease family.

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