Lot Essay
This 'Drawing Room Commode', with its reeded and urn-capped Pompeian pillars, is conceived in the French antique fashion. With its 'Chiffonier' gallery for china-display and book-shelves concealed behind glazed doors intended for pleated hangings, it reflects the fashionable George IV style such as George Smith promoted with publications such as Collection of Designs for Household Furniture, 1808; and The Cabinet-Maker and Upholsterers Guide , 1826.
The distinctive Scottish 'honey-pot' baluster turning is characteristic of Morison's work at Blairquhan and is shared on the dining table (lot 52) and chairs (lot 73).
The distinctive Scottish 'honey-pot' baluster turning is characteristic of Morison's work at Blairquhan and is shared on the dining table (lot 52) and chairs (lot 73).