Lot Essay
While there is considerable debate over Pala period bronzes produced in India versus closely related examples produced in Tibet, possibly by Indian craftsmen, the construction of the base with integrated seams to secure a baseplate for consecration follows a Tibetan convention. For a further discussion, compare with a very closely related example at the Norton Simon Museum, see P. Pal, Art of the Himalayas and China, 2003, cat. no. 88, p. 134f.