Circle of Michele da Verona (Verona c. 1470-1536/44)
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Circle of Michele da Verona (Verona c. 1470-1536/44)

A cavalry skirmish between Christians and Turks

Details
Circle of Michele da Verona (Verona c. 1470-1536/44)
A cavalry skirmish between Christians and Turks
oil on canvas
41½ x 96¼ in. (105.4 x 244.4 cm.)
Provenance
Karl I of Liechtenstein, First Prince of Liechtenstein, Duke of Troppau and Jägerndorf (1569-1627), and by descent; in the Garden Palace at Rossau by 1873 (when recorded as being there by Falke, loc. cit.); moved to Schloss Eisgrub, Lednice, Bohemia, by 1888; taken to Vienna in November 1892, until November 1942, when returned to Schloss Eisgrub, until October 1944, when moved to Schloss Moosham, Unternberg, Lungau, until February 1945, when moved to Schloss Vaduz, Liechtenstein, where displayed on the entrance wall of the Südrondell Saal until 2006.
Literature
Sammlungskatalog, 1805, MS, Schloss Vaduz, Liechtenstein, no. 436, as a work purchased by Karl I, First Prince of Liechtenstein, Duke of Troppau and Jägerndorf (1569-1627).
J. Falke, Katalog der Fürstlich Liechtensteinischen Bilder-Galerie im Gartenpalais der Rossau zu Wien, Vienna, 1873, p. 130, no. 1120.
A. Kronfeld, Führer durch die Fürstlich Liechtensteinsche Gemäldegalerie in Wien, Vienna, 1931, p. 195, no. A 1120.
B. Berenson, Italian pictures of the Renaissance, Oxford, 1932, p. 364, as 'L. (?)' under Michele da Verona (i.e., possibly a late work by Michele da Verona).
R. van Marle, The Development of the Italian Schools of Painting, The Hague, 1935, vol. XVII, p. 181.
B. Berenson, Italian Pictures of the Renaissance. A list of the principal artists and their works, with an index of places: Central Italian and North Italian Schools, New York, 1968, I, p. 272, as 'L. (?)' under Michele da Verona (i.e., possibly a late work by Michele da Verona).
Exhibited
Vaduz, Engländergebäude, Waffen aus vier Jahrhunderten. Aus den Sammlungen Seiner Durchlaucht des Regierden Fürsten von Liechtenstein, 1952.
Vaduz, Liechtensteinisches Landesmuseum, 1972.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This unusually ambitious secular canvas was tentatively attributed by Berenson to Michele da Verona as a late work. Like Michele's certain works, this reveals a strong Venetian influence.

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