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A GEORGE III MAHOGANY PRESS CUPBOARD

CIRCA 1765, IN THE MANNER OF THOMAS CHIPPENDALE

Details
A GEORGE III MAHOGANY PRESS CUPBOARD
CIRCA 1765, IN THE MANNER OF THOMAS CHIPPENDALE
The dentil moulded broken triangular pediment centred by a plinth above a pair of cut-cornered, panelled doors with fretted brass escutcheons, originally enclosing five trays and a shelf, now missing, above two short and one long drawer with part beech and oak linings on shaped bracket feet with laminated blocks, the underside with red wash and several redundant nails, raised brass escutcheons, the handles original, the centre platform of the plinth replaced
89 in. (226 cm.) high; 54 in. (137 cm.) wide; 27 in (69 cm.) deep
Literature
Inventory and Valuation of the contents of Newton Hall, Felton, Morpeth, Northumberland, The Property of Brigadier General B. F. Widdrington, C.M.G., D.S.O., 1925, p. 48.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

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Lot Essay

The clothes-press/wardrobe, with vase-plinth incorporated in its hollow-scalloped Tuscan temple pediment, is designed in the Roman manner popularised by Thomas Chippendale's Gentleman and Cabinet-Maker's Directors, 1754-62. In particular its silken-figured mahogany tablets are reed-banded with hollowed corners in the manner featured on one of his 1760 dressing-table patterns (see Cippendale, ibid, 3rd ed., 1762, pls. LXXVII and LXVII). Chippendale also introduced the later on a clothes-press, with similarly scalloped feet, that he provided in 1766 for Nostell Priory, Yorkshire; while another supplied there the following year featured a similar pediment (see C. Gilbert, The Life and Work of Thomas Chippendale, 1978, fig. 244). The brass escutcheon, with lozenge fretted compartment, relates closely to mid-18th century Birmingham metal patterns (see T.R. Crom, An Eighteenth century English Brass Hardware Catalogue, Florida, 1994, p. 67).

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