After Sir Joshua Reynolds
No VAT will be charged on the hammer price, but VA… Read more
After Sir Joshua Reynolds

Portrait of George John, 2nd Earl Spencer (1758-1834) aged 17, bust-length, in Van Dyck costume

Details
After Sir Joshua Reynolds
Portrait of George John, 2nd Earl Spencer (1758-1834) aged 17, bust-length, in Van Dyck costume
oil on canvas, in a carved and gilded Sunderland frame
29 x 24 in. (73.7 x 61 cm.)
After the picture in the South Drawing Room, Althorp.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis. Please note Payments and Collections will be unavailable on Monday 12th July 2010 due to a major update to the Client Accounting IT system. For further details please call +44 (0) 20 7839 9060 or e-mail info@christies.com

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Lot Essay

Sunderland frames are a manifestation of the auricular style first seen in picture framing in Charles I's reign. The auricular, literally 'of the ear', relied on fantastic, fleshy, organic ornament; it originated in the Netherlands in the 1610s under Italian influence. Sunderland frames are characterised by their distinctive carving, with a cartouche at top and mask at bottom. The pattern takes its name from Robert Spencer, 2nd Earl of Sunderland (1641-1702), many of whose pictures at Althorp are framed in the style, though the term itself is probably a nineteenth-century one. The Beauties of Charles II's court, by Sir Peter Lely and others, hanging in the Althorp Picture Gallery are displayed double-hung in Sunderland frames.
This copy most probably is that shown hanging at Spencer House in Lord Spencer's room, originally the Palm Room, in a photograph dated 1916.

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