Edward Lear (1812-1888)
Edward Lear (1812-1888)

Corfu from the village of Ascension; and Corfu from the Benitza Road, on the hill of Gastouri

Details
Edward Lear (1812-1888)
Corfu from the village of Ascension; and Corfu from the Benitza Road, on the hill of Gastouri
signed with monogram and dated '1862' (one lower left and one lower right), one inscribed 'Corfu from Ascension/Painted by me in Corfu, 1862./Edward Lear.' (on a label attached to the stretcher), the other inscribed 'Corfu from Gastouri./Painted by me at Corfu in 1862./Edward Lear.' (on a label attached to the stretcher)
oil on canvas
13½ x 21¼ in. (34.3 x 54 cm.)
a pair (2)
Provenance
Anonymous sale; Sotheby's, London, 17 April 2008, lot 14.
Exhibited
London, Gooden & Fox, Edward Lear, 15 October - 1 November 1968, nos. 114, 115.

Brought to you by

Bernice Owusu
Bernice Owusu

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

Lear lived on Corfu from 1855 to 1858 following a brief visit to Corfu in the Summer of 1848 when Lear was entranced by the island: 'I wish I could give you any idea of the beauty of this island, it really is a Paradise. The extreme gardeny verdure - the fine olives, cypresses, almonds, & oranges, make the landscape so rich'. Built by the Venetians who had controlled the island for five hundred years, the Citadel dominated the landscape, creating a focus for the variety of panoramas that Lear developed. A number of his finest paintings illustrate the island's topography, and many of his drawings were worked up into lithographic plates for his book Views in the Ionian Islands (1863). The landscape that surrounded the hills of Gastouri and the village of Ascension (now Análipsis) provided Lear with particularly expansive and breath-taking views down through lucious olive groves, across the water towards the snow-capped mountains of Albania: '[N]o place in all the world is so lovely I think. The whole island is in undulations from the plain where the city is, to the higher hills on the west side; & all the space is covered with one immense grove of olive trees - so that you see over a carpet of wood wherever you look; & the higher you go, the more you see, & always the Citadel & the Lake, & then the Straits, with the great Albanian mountains beyond'.

More from Victorian & British Impressionist Art

View All
View All