AN EGYPTIAN PAINTED VOTIVE LINEN
PROPERTY OF THE TOWN OF HUNTINGTON, NEW YORK, FROM THE COLLECTION OF THE HECKSCHER MUSEUM OF ART, SOLD TO BENEFIT THE ART ACQUISITION FUND
AN EGYPTIAN PAINTED VOTIVE LINEN

NEW KINGDOM, LATE DYNASTY XVIII-EARLY DYNASTY XIX, CIRCA 1300-1200 B.C.

Details
AN EGYPTIAN PAINTED VOTIVE LINEN
NEW KINGDOM, LATE DYNASTY XVIII-EARLY DYNASTY XIX, CIRCA 1300-1200 B.C.
Finely-woven with a looped fringe along the top and a long fringe on the right edge, coated in white and painted in vibrant colors with, to the left, the goddess Hathor in the form of a cow, facing right, standing in a barque on a plinth within a papyrus thicket, the barque with a beaded canopy draped with a lotus-petal wreath, Hathor's body patterned with blue quatrefoils, a solar-disk between her horns, a hieroglyphic inscription before her, reading: "Hathor, Lady of Heaven, Chieftainess of Thebes," a royal figure suckling from her, another standing below her chin, captioned: "The Beautiful God Neb-hepet-Re," an offering stand and a lotus flower in front of the barque, with a family group standing before Hathor, facing left, including a kilted figure of the priest Tja-nefer standing with his arms raised in adoration, his wife and mother-in-law behind him, each wearing a long pleated robe, a filleted festive wig and a broad collar, followed by three sons, all wearing kilts and broad collars, and a daughter, Tja-nefer's wife holding a long-necked vessel, the others holding grape clusters or possibly vessels in the form of the fruit, his mother-in-law also holding a vine in her lowered right hand, a lotus flower in each of their left hands, with ten columns of hieroglyphics above, reading from left to right: "Making adoration to the Lord of the Two Lands, kissing the ground (for) the Chieftainess of Thebes, that she may give Life, Prosperity, Health, Alertness(?), praise/favor and love for the Ka of the Greatly Favored One of Hathor, Tja-nefer; his sister (i.e. wife), the Lady of the House, Mer(et)-Nubet; her mother Sen(et); his son Huy; his son [blank surface never inscribed]; his bodily son whom he loves, Ma-huia; her daughter, whom she loves, Tit-Imentet," framed within a thin black border with a lotus-petal frieze above
19 in. (48.3 cm.) wide
Provenance
Robert de Rustafjaell, acquired at the Temple of Hathor, Deir el-Bahari, Western Thebes, 1906.
Catalogue of the Remaining Part of the Valuable Collection of Egyptian Antiquities formed by Robert de Rustafjaell, Esq.; Sotheby, Wilkinson & Hodge, London, 20-24 January 1913, lot 574.
Photographs of an Egyptian Collection formed by R. de Rustafjaell, Egyptian Art Gallery, New York, circa 1915.
Catalogue of the Interesting and Valuable Egyptian Collection formed by Mr. Robert de Rustafjaell; The Anderson Galleries, New York, 1915, lot 707.
G.M. Heckscher, accessioned by the Heckscher Museum of Art, 1956 (no. 59.294).
Literature
R. de Rustafjaell, "The Earliest Known Paintings on Cloth," in The Connoisseur, vol. 14, no. 56, April 1906, pp. 239-242, fig. 1.
E. Naville, "Excavations at Deir el-Bahari," in Archaeological Report of the Egypt Exploration Fund, London, 1906-1907, p. 61, pl. 25b.
R. de Rustafjaell, The Light of Egypt, From Recently Discovered Predynastic and Early Christian Records, London, 1909, pp. 47-50, pl. 25.
"Oldest Painting for $1,700, Egyptian Picture Brings Top Price at Rustafjael(l) Sale - Total, $12,760" in The New York Times, 2 December 1915.
"$1,700 For Oldest Painting, Rustafjaelli Antiquities from Egypt Bring $12,530.75," in New York Times, 2 December 1915.
C.C.M. Thurman, "Tapestry: The Purposes, Form, and Function of the Medium from Its Inception Until Today," in A. Bennett, Acts of the Tapestry Symposium, November 1976, San Francisco, 1979, pp. 6-7, fig. 4.
G. Pinch, Votive Offerings to Hathor, Oxford, 1993, (Type 4, no. 9) pp. 5, 102-134, pl. 25B.
Exhibited
Dallas Museum of Art, Eternal Egypt, 1993-2005.

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Lot Essay

At Deir el-Bahari in the hills of Western Thebes, there was a shrine dedicated to the goddess Hathor at least as early at the 11th Dynasty. The Middle Kingdom Pharaoh Neb-hepet-Re Mentu-hotep built his mortuary temple there, called Akh-isut, which included a chapel for Hathor. This Middle Kingdom shrine was subsequently replaced by later rulers, including Hatshepsut during the 18th Dynasty, whose mortuary temple, called Djeser-djeseru, had a flanking shrine for the cow goddess that superceded the earlier one. Numerous votive offerings have been excavated there, including statues, stelae, and amulets, and a very unusual group of painted votive textiles. The textiles include thirty linen cloths and five linen shirts, ranging in date from the mid 18th Dynasty to the early 19th Dynasty. All have painted representations of the goddess Hathor, most typically in the form of a cow, which are probably depictions of a cult image. On a few examples, as here, the goddess is accompanied by a deceased king, here captioned Neb-hepet-Re (Mentu-hotep II, 2046-1995 B.C.), shown twice, suckling and standing below her chin. Depictions of a king standing beneath the head of Hathor are also found on votive stelae and tomb paintings. For a sculpture in the round of Hathor, with Thutmose III standing beneath her chin, see no. 138 in Saleh and Sourouzian, The Egyptian Museum Cairo. Such depictions indicate that the votives celebrate a joint cult of the goddess and the founder of her temple.

The cloth presented here shows the cult statue being revered by the priest Tja-nefer, together with his wife, mother-in-law, and children. His name is found on two other cloths, as well as on stelae from Deir el-Bahari, bearing titles indicating that he was a priest of Hathor, Neb-hepet-Re Mentu-hotep and Amon-Re. De Rustafjaell indicated that the textiles acquired by him in 1906 were "found in a mound of debris on the site of the Temple of Hathor at Thebes" (see p. 46 in The Light of Egypt, From Recently Discovered Predynastic and Early Christian Records). Among all the surviving textiles, the present example is perhaps the finest known, both in terms of the quality of the painting and the extraordinary state of preservation. For the most recent discussion of this rare group see pp. 102-134 in Pinch, Votive Offerings to Hathor.

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