AN ILLUSTRATED ALBUM FOLIO: A YOUTH HOLDING A POMEGRANATE
A PRIVATE COLLECTION DONATED TO BENEFIT THE UNIVERSITY OF OXFORD
AN ILLUSTRATED ALBUM FOLIO: A YOUTH HOLDING A POMEGRANATE

CALLIGRAPHY SIGNED 'ABD MUHI, SAFAVID KHORASSAN, SECOND HALF 16TH CENTURY

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AN ILLUSTRATED ALBUM FOLIO: A YOUTH HOLDING A POMEGRANATE
CALLIGRAPHY SIGNED 'ABD MUHI, SAFAVID KHORASSAN, SECOND HALF 16TH CENTURY
Gouache heightened with gold on paper, the youth set on a ground with gold foliage within a border of minor and major nasta'liq couplets including two bayts from a ghazal of Hafez, on gold floral illuminated ground, the reverse with a nasta'liq quatrain on a ground of scrolling palmettes tinted in orange and outlined in gold, borders with cartouches each containing two lines of nasta'liq quatrains, set inside wide gold-speckled margins, signed al-'abd muhyi dar al-saltana herat, in card mount
Text panel 8¾in. x 5 in. (22.2 x 12.6 cm); panel 12 3/8 x 7 7/8 in. (31.3 x 20 cm.)

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Sara Plumbly
Sara Plumbly

Lot Essay

Muhi al-Haravi was a pupil of Muhammad Qasim Shadishah. Mustafa 'Ali in the Menakib-i Hünerveran wrote that no finer calligrapher was to be found in Khurasan at that time (AH 995/1586-87). His dated work ranges between AH 971 and AH 986 (Mehdi Bayani, Ahval va Asar-e Khoshnevisan, Tehran, no.1330, pp.895-897).


The long slender figure of this youth with striking large bold blocks of colour contrasting with the highly detailed contours and texture of the turban and belt are typical features of the restrained elegance of the Khorassan school of the late 16th century. A similar portrait of a youth attributed by B.W. Robinson to the artist Mahdi and dated to circa 1580-90 is in the Topkapi Museum Library (B.W. Robinson, 'Muhammadi and the Khurasan Style', Iran XXX, 1992, Pl. VIIa).

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