Jan de Bisschop (Amsterdam 1628-1671 The Hague)
Jan de Bisschop (Amsterdam 1628-1671 The Hague)

The Arch of Titus, Rome, after Jan Both

Details
Jan de Bisschop (Amsterdam 1628-1671 The Hague)
The Arch of Titus, Rome, after Jan Both
black chalk, brown wash, brown ink framing lines, watermark Strasburg lily with letters VR (?) and countermark BC (?)
47.9 x 35.7 cm.
Provenance
Cornelis Ploos van Amstel (1726-1798) (L. 2034); Philippe van der Schley et al., Amsterdam, 3 March 1800, Album F, lot 64 ('Gezigt der Ruïnen van een aloude Poort; met de Pen en Roet, door B. Breenberg.'; 2 florins to Yver).
Exhibited
Amsterdam, Koninklijk Oudheidkundig Genootschap, Hoe Hollandse teekenaers Rome zagen 1500-1840, 1940 (no catalogue published).
Amsterdam, Museum Het Rembrandthuis, Episcopius: Jan de Bisschop (1628-1671): advocaat en tekenaar, 1992, no. 9.
Amsterdam, Amsterdam Museum, In de ban van Italië: Tekeningen uit een Amsterdamse verzameling, 1995, no. 28 (catalogue by I. Oud, M. Jonker and M. Schapelhouman).

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Lot Essay

Although de Bisschop often depicted Italian landscapes and monuments in his drawings there is no firm evidence that the artist ever travelled to Italy. It seems more likely that he copied works by other masters that depicted Italian monuments and landscapes. For the present drawing, de Bisschop drew inspiration from a slightly larger painting (54.6 x 45.8 cm.) by Jan Both (1618/22-1652), now in the Devonshire collection, Chatsworth (see Hofstede de Groot 27; reproduced in the 1992 Amsterdam catalogue). The drawing shows the same composition, slightly enlarged at the top, but without the group of figures on the left. A copy of this drawing, attributed to Jacob van der Ulft (1621-1689 Noordwijk), also lacking the group of figures on the left, is in the Rijksmuseum, Amsterdam (inv. A 533).

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