Thomas Buttersworth, Snr. (1798-1827)
These lots have been imported from outside the EU … Read more PROPERTY FROM AN AMERICAN PRIVATE COLLECTION
Thomas Buttersworth, Snr. (1798-1827)

The aftermath of Trafalgar: The Spanish flagship Santísima Trinidad wallowing in the swell under prize colours

Details
Thomas Buttersworth, Snr. (1798-1827)
The aftermath of Trafalgar: The Spanish flagship Santísima Trinidad wallowing in the swell under prize colours
oil on canvas
24 x 36 in. (61 x 91.4 cm.)
Provenance
Anonymous sale; Christie's, London, 19 November 1937, lot 117.
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Lot Essay

The severe storm which blew up on the night of the battle of Trafalgar (21st October 1805) and continued for several days thereafter resulted in the sinking or enforced scuttling of almost all the captured enemy ships, most notably the huge Spanish flagship Santísima Trinidad. Shown here heeling over to port as she wallows, practically unmanageable, in the heavy swell, she was not only the biggest ship in the world and the only four-decker in existence but also the largest wooden warship ever constructed. Mounting 140 guns and flagship to Rear-Admiral Don H. de Cisneros, she was engaged by and surrendered to H.M.S. Prince at Trafalgar and eventually foundered in the heavy weather on 24th October. As if to emphasise her humiliation, she is depicted with her national ensign flying below a confident ‘Union Jack’, the universal symbol of a captured enemy prize in time of war.

Although viewed from a different perspective, this work by Buttersworth has many similarities to the last in a series of three major 'Trafalgar' oils executed by W.J. Huggins for King William IV between 1834 and 1837 and which now hang in St. James’s Palace.

We are grateful to Michael Naxton for his assistance in preparing this catalogue entry.


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