A BLUE AND WHITE 'FLOWERS OF THE FOUR SEASONS' CONJOINED VASE
A BLUE AND WHITE 'FLOWERS OF THE FOUR SEASONS' CONJOINED VASE
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A BLUE AND WHITE 'FLOWERS OF THE FOUR SEASONS' CONJOINED VASE

QIANLONG FOUR-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

Details
A BLUE AND WHITE 'FLOWERS OF THE FOUR SEASONS' CONJOINED VASE
QIANLONG FOUR-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)
The vessel is skilfully potted in the shape of four conjoined cylindrical vases, each tapering from the shoulder to a delicately waisted neck and a flared mouth rim, painted in deep shades of blue with a flower of the four season on each cylinder, including lotus, chrysanthemum, prunus and peony. The base of each cylinder is inscribed with a different character of the reign mark.
3 3/4 in. (9.5 cm.) high
Provenance
A Welsh family collection, acquired in London in the 1950s

Brought to you by

Chi Fan Tsang
Chi Fan Tsang

Lot Essay

Conjoined vases of this form decorated in underglaze blue are extremely rare. One identical example is known in the Shanghai Museum, illustrated by Liu Liang-yu, Ch'ing Official and Popular Wares, A Survey of Chinese Ceramics, vol. 5, Taipei, 1991, p. 151. Another Qianlong-marked vase of the same shape by covered with a Ge-type glaze was sold at Christie's London, 11 May 2005, lot 9.

The unusual shape seen on the present vase follows similar shapes from the Yongzheng period. Compare this to a Yongzheng mark and period Ru-type vase in the collection of the National Palace Museum, Taipei, included in the exhibition Qing Monochrome Porcelain, National Palace Museum, Taipei, 1981, no. 77. Also see a celadon-glazed vase from the J.M. Hu collection, sold at Sotheby's New York, 4 June 1985, lot 40; and a Guan-type vase from the James W. and Marilyn Alsdorf Collection, sold at Christie's Hong Kong, 23 March 1993, lot 735, and again on 2 November 1999, lot 524.

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