JOST AMMAN (1539-1591) AFTER WENZEL JAMNITZER (1507/08-1585)
JOST AMMAN (1539-1591) AFTER WENZEL JAMNITZER (1507/08-1585)
JOST AMMAN (1539-1591) AFTER WENZEL JAMNITZER (1507/08-1585)
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JOST AMMAN (1539-1591) AFTER WENZEL JAMNITZER (1507/08-1585)
7 More
This lot has been imported from outside of the UK … Read more PROPERTY FROM AN IMPORTANT PRIVATE AMERICAN COLLECTION
JOST AMMAN (1539-1591) AFTER WENZEL JAMNITZER (1507/08-1585)

Four Plates from: Perspectiva Corporum Regularium

Details
JOST AMMAN (1539-1591) AFTER WENZEL JAMNITZER (1507/08-1585)
Four Plates from: Perspectiva Corporum Regularium
four etchings, 1568, on laid paper, one sheet with watermark Small Arms of Nuremberg (similar to Briquet 919), the others without watermark, fine impressions printing with much tone and wiping marks, with margins
Plates 180 x 261 mm. (and similar)
Sheets 189 x 273 mm. (and similar)
(4)
Provenance
With Helmut H. Rumbler, Frankfurt am Main.
Acquired from the above by the present owner.
Literature
New Hollstein (Amman, Book Illustrations 44.30, 31, 42, 50)
Special notice
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

Brought to you by

Tim Schmelcher
Tim Schmelcher International Specialist

Lot Essay

This lot includes four of the fifty illustrations by Jost Amman for Wenzel Jamnitzer's book on perspective, published in Nuremberg in 1568: Plate E. V (Two Octahedrons); Plate E.VI (Two stereometric Solids); Plate G.V (Two transparent Spheres); and Plate I.III (A stereometric Construction).
Wenzel Jamnitzer was the most celebrated goldsmith of his time, and served several Holy Roman Emperors. Amman's etchings are based on Jamnitzer's drawings, which in turn were drawn from three-dimensional models Jamnitzer had created out of paper and wood. The Perspectiva Corporum Regularium is the most elaborate and opulently illustrated book on perspective of the second part of the 16th century.

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