A CORINTHIAN BLACK-FIGURED COLUMN-KRATER
A CORINTHIAN BLACK-FIGURED COLUMN-KRATER
A CORINTHIAN BLACK-FIGURED COLUMN-KRATER
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ANCIENT ART FROM THE COLLECTION OF HIRAM BUTLER AND ANDREW SPINDLER-ROESLE
A CORINTHIAN BLACK-FIGURED COLUMN-KRATER

NEAR THE GORGONEION GROUP, CIRCA 590-570 B.C.

Details
A CORINTHIAN BLACK-FIGURED COLUMN-KRATER
NEAR THE GORGONEION GROUP, CIRCA 590-570 B.C.
11 5/8 in. (29.5 cm.) high
Provenance
Antiquities, Sotheby's, London, 13-14 July 1987, lot 448.
with The Merrin Gallery, New York.
Private Collection, New York, acquired from the above, 1998.
Property from a New York Private Collection; Antiquities, Christie's, New York, 16 June 2006, lot 80.
Art Market, California, acquired from the above.
with Phoenix Ancient Art, New York and Geneva, 2010 (Catalogue 1, no. 12).
Antiquities, Christie's, New York, 9 June 2011, lot 74.
with Phoenix Ancient Art, New York and Geneva.
Acquired by the current owners from the above, 2014.
Exhibited
Knoxville, University of Tennessee, Frank H. McClung Museum, History Contained: Ancient Greek Bronze and Ceramic Vessels from the Collections of Shelby White and Leon Levy/Judy and Michael Steinhardt, 17 September 2005-2 January 2006.
Williamstown, Williams College Museum of Art, Imagining the Trojan War, 30 May-13 December 2015.
New York, The Metropolitan Museum of Art, 2017-2022 (Loan no. L.2017.22.6).

Brought to you by

Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

Lot Essay

According to H. Payne (Necrocorinthia: A Study of Corinthian Art in the Archaic Period, p. 311), some of the finest of all Corinthian vases belong to the Gorgoneion Group, which was active for only a short period during the first quarter of the 6th century B.C. The group specialized primarily in column-kraters and kylikes, the interiors of which often featured a gorgoneion, hence the group’s name. On the krater presented here, the body is divided into two registers, the lower encircling, the upper divided by the handle supports. The upper register on one side depicts two horsemen moving to the right, with a lion to the left partially obscured by the handle and a panther to the right below the handle. According to D. Amyx (Corinthian Vase-Painting of the Archaic Period, vol. II, p. 648), the presence of horsemen suggests a horse-racing scene, even without the presence of prizes. On the other side is a siren facing right between a lion and a seated sphinx. The lower register features a series of goats and panthers. The handle-plates each feature a seated panther, and there is stepped zigzag on the rim. Added red was used throughout.

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