Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Man drawing from a Cast
etching
circa 1641
on laid paper, without watermark
a very good impression of the first state (of six)
printing sharply and clearly
with small margins
extensively enhanced with pale grey wash
otherwise in good condition
Plate 93 x 64 mm.
Sheet 98 x 68 mm.
Provenance
Friedrich Koch (1771-1832), Mannheim (without stamp, see Lugt 1020).
C. Axel Widstrand (b. 1866), Stockholm (without stamp, see Lugt 2630a).
George Bjørklund (1887- after 1968), Stockholm (Lugt 1138c); probably his sale, Klipstein & Kornfeld, Bern, 4 June 1957, lot 149 ('Ausgezeichnet, mit Rändchen. Slgen. Koch und Widstrand').
With Associated American Artists, New York.
Sam Josefowitz (Lugt 6094); acquired from the above in 1969; then by descent to the present owners.
Literature
Bartsch, Hollstein 130; Hind 191; New Hollstein 192 (this impression cited)
Stogdon p. 292

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Stefano Franceschi
Stefano Franceschi Specialist

Lot Essay

This print offers a glimpse into Rembrandt’s studio and the world of an aspiring artist, reflecting the intensity of close observation and trying to capture what is in front of one's eyes. A seated man sketches a classical bust, its features illuminated by candlelight. The enclosed composition focuses attention on the act of looking, the quiet exchange between artist and subject. Loose etching lines plunge the background into dark shadow, heightening the sense of intimacy and drawing the viewer into the scene. The theme of artistic study and practice recur throughout Rembrandt’s oeuvre, most prominently in The Artist drawing from a Model (see lot 91) but also in Cottage and Farm Buildings with a Man sketching (see lot 61), underscoring his interest in the role of the artist as an observer and interpreter of the world.

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