LOUIS CHARLES MOELLER (1855-1930)
LOUIS CHARLES MOELLER (1855-1930)
LOUIS CHARLES MOELLER (1855-1930)
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LOUIS CHARLES MOELLER (1855-1930)

Another Investment

Details
LOUIS CHARLES MOELLER (1855-1930)
Another Investment
oil on panel
8 x 10 in. (20.3 x 25.4 cm.)
Painted by 1884.
Provenance
Thomas B. Clarke, New York, by 1884.
(Probably) James W. Ellsworth, Chicago, Illinois, by 1890.
Parker Morse Hooper, Camden, Maine.
Vose Galleries, Boston, Massachusetts.
Ambassador J. William Middendorf II, Washington, D.C., acquired from the above.
Sotheby Parke-Bernet, New York, 28 September 1973, lot 31, sold by the above.
Martin and Marcia Werner, Elkins Park, Pennsylvania, acquired from the above.
Eli Wilner & Co., Inc., New York.
Acquired by the present owner from the above, 1989.
Literature
New York News, October 10, 1884.
"The Academy of Design," New York Tribune, November 8, 1884, p. 5.
"A Remarkable Collection," The Collector, September 1, 1890, p. 146.
J.W. Middendorf II, "Collecting American Nineteenth Century Art," Antiques, no. 8, November 1967, p. 685, fig. 8, illustrated (as Thomas B. Clarke in His Study).
W.H. Gerdts, "The Empty Room," Bulletin of the Allen Memorial Art Museum, vol. XXXII, no. 2, 1975-76, pp. 84, 85, fig. 8, illustrated.
H.B. Weinberg, "Thomas B. Clarke: Foremost Patron of American Art from 1872 to 1899," The American Art Journal, vol. VIII, no. 1, May 1976, pp. 60-61, 78, illustrated.
Exhibited
New York, National Academy of Design, Autumn Exhibition, 1884, no. 232.
(Probably) Chicago, Illinois, Art Institute of Chicago, Catalogue of the Art Collections Loaned by James W. Ellsworth, October 1890, p. 12, no. 69.
(Probably) New York, The Union Club, First Members' Loan Art Exhibition, October-November 1967.
(Probably) Greenwich, Connecticut, The Bruce Museum, 19th and 20th Century American Paintings, January-February 1970.

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Paige Kestenman
Paige Kestenman Vice President, Senior Specialist

Lot Essay

A delightful interior brimming with decorative objects and fine art, the present work epitomizes Moeller's mastery of still life and figure painting. The scene likely garners inspiration from the front parlor of Thomas B. Clarke, an eminent American art patron and collector, who was the first owner of this painting. Indeed, "Because he stood prominently against the overwhelming tide of taste for European art, accumulated so many works of enduring interest, and inspired other collectors to follow his example, Clarke's reputation as an outstanding promoter of American art has been sustained by later students of the period." (H.B. Weinberg, "Thomas B. Clarke: Foremost Patron of American Art from 1872 to 1899," The American Art Journal, vol. VIII, no. 1, May 1976, p. 60)

According to William H. Gerdts, Another Investment is "One of Moeller's earliest successful efforts, well-received in New York when shown in the fall exhibition of the National Academy in 1884." ("The Empty Room," Bulletin of the Allen Memorial Art Museum, vol. XXXII, no. 2, 1975-76, p. 85) Indeed, a contemporary critic lauded "The picture is painted with the delicacy and precision which we have recognized before in Mr. Moeller's handiwork" ("The Academy of Design," New York Tribune, November 8, 1884, p. 5).

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