A LOUIS XV TULIPWOOD AND PARQUETRY TABLE A ECRIRE
A LOUIS XV TULIPWOOD AND PARQUETRY TABLE A ECRIRE
A LOUIS XV TULIPWOOD AND PARQUETRY TABLE A ECRIRE
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A LOUIS XV TULIPWOOD AND PARQUETRY TABLE A ECRIRE
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A LOUIS XV TULIPWOOD AND PARQUETRY TABLE A ECRIRE

BY ROGER VANDERCRUSE, CALLED LACROIX, RETAILED BY SIMON-PHILIPPE POIRIER, CIRCA 1765

Details
A LOUIS XV TULIPWOOD AND PARQUETRY TABLE A ECRIRE
BY ROGER VANDERCRUSE, CALLED LACROIX, RETAILED BY SIMON-PHILIPPE POIRIER, CIRCA 1765
Decorated overall with flowered trellis, with sliding top above a fitted frieze drawer with a leather writing surface, on cabriole legs with scrolled acanthus sabots, the underside stamped 'RVLC' and 'JME' twice, inscribed in ink 'Poirier Md. rue St. Honoré' and applied with a plaque debossed ‘Audrey Kilvert-Taylor 64 Av. Foch Paris’, a paper label inside the drawer inscribed 'C 10274 Mrs. Kilvert’
25 ½ in. (65 cm.) high, 29 in. (74 cm.) wide, 13 ½ in. (34.5 cm.) deep
Provenance
With Duveen, London.
Elsie Delora Kilvert (1891-1961), companion of Samuel H. Kress (1853-1955), New York.
Her daughter, Audrey 'Chico' Kilvert Taylor (1908-1968), Paris and New York.
With A La Vieille Russie, New York.
Acquired by Annie Laurie Aitken (1900-1984) and Russell Barnett Aitken (1910-2002) from the above, 18 May 1966.

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Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

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Lot Essay

Roger Vandercruse (1728-1799), known as Lacroix, maître in 1755.

ELSIE DELORA KILVERT AND SAMUEL H. KRESS
Elsie Delora Kilvert, née Bernardo (1891-1961), was hailed by the Boston Globe upon her 1909 marriage to the cartoonist B. Cory Kilvert as "the prettiest and premier model in New York". By the 1920s, she had become the long-time companion of Samuel H. Kress (1853-1955), the retail magnate who assembled one of the most important collections of European art in the twentieth century and helped establish the National Gallery of Art. Mrs. Kilvert accompanied Kress on annual visits to Italy in the 1920s and 1930s and assisted in selecting works to furnish his duplex penthouse at 1020 Fifth Avenue, across from the Metropolitan Museum and just a few blocks north of Mrs. Aitken's apartment. Her contribution to the Kress Collection may even have included its very genesis: a November 1953 profile in Life magazine recounts that his collecting began around 1920, when she began bringing him to art galleries, having determined "to get Sam interested in beautiful things".

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