UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Arashiyama mankai (Cherry blossoms of Arashiyama)

Details
UTAGAWA HIROSHIGE (1797-1858)
Arashiyama mankai (Cherry blossoms of Arashiyama)
Woodblock print, from the series Kyoto meisho (Famous places of Kyoto), signed Hiroshige ga, published by Mitaya Kihachi (Eisendo) and Kawaguchiya Uhee (Fukusendo), circa 1834
Horizontal oban: 10 x 14 7⁄8 in. (25.4 x 37.8 cm.)
Provenance
Christie's New York, 25 March 2026, lot 190
Literature
Van Gogh & Japan (Mercatorfonds, Van Gogh Museum, Hokkaido Shimbun Press, 2018), fig. 223.
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 240B.
Exhibited
'Van Gogh & Japan', Van Gogh Museum, Amsterdam, 23 March-24 June 2018

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Arashiyama, located near the imperial capital of Kyoto, was historically a favored destination for court nobles to enjoy the autumn foliage. By Hiroshige’s time, however, it had become a popular destination for aristocrats and commoners alike, celebrated for both its autumn colors and spring cherry blossoms. In this print, Hiroshige once again demonstrates his talent for unconventional composition. The river cuts diagonally upward across the image like a broad band, leaving its center largely open, while the boats, drifting smoke, cherry trees, and even the mountain path reinforce this rising diagonal. The composition give the picture a sense of movement, transforming a tranquil, static landscape into a dynamic one. Similar compositional devices can also be seen in his other prints (lot 145).

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