Lot Essay
This medallion-centred pier-table with its festive buccrania-hung frieze and acanthus-wrapped ram-monopodia typifies the Roman style promoted by the artist/architect Giovanni Battista Piranesi (d.1778) and relates to a chimera-supported table which he designed for the Quirinale apartments of Cardinal Rezzonico, to whom he dedicated his pattern book Le Diverse Maniere d'adonare i camini, 1769 (see J. Wilton-Ely, 'Reflections on Piranesi as a Furniture Designer', Furniture History, 1990, pp.191-8)
A closely related table, with almost identical Caesar medallion centering the arabesque frieze and hoof-footed legs with flowered volutes and nymph heads, displayed at the Capitoline Museum, Rome, is illustrated in A. Gonzalez-Palacios, Il Tempio des Gusto, vol. II, Milan, 1984, fig. 152
A closely related table, with almost identical Caesar medallion centering the arabesque frieze and hoof-footed legs with flowered volutes and nymph heads, displayed at the Capitoline Museum, Rome, is illustrated in A. Gonzalez-Palacios, Il Tempio des Gusto, vol. II, Milan, 1984, fig. 152