Maurizio Cattelan
stainless steel, wood, electric motor, light, bell and computer
elevators: 13¾ x 22 3/8 in. (34.9 x 59.3 cm.)
overall: 23½ x 33 5/8 x 18 7/8 in. (59.8 x 85.4 x 47.9 cm.)
Executed in 2001. This work is number two from an edition of ten plus two artist's proofs.

An example from this edition is in the permanent collection of the Los Angeles County Museum of Art.
Marian Goodman Gallery, New York
Acquired from the above by the present owner
F. Richard, "Marianne Boesky Gallery and Friedrich Petzel Gallery - Reviews - Penetration, curated by Mark Fletcher," Artforum, vol. 41, no. 2, October 2002, p. 154.
F. Bonami, N. Spector, B. Vanderlinden and M. Gioni, eds., Maurizio Cattelan, London, 2003, pp. 176-177 (illustrated).
M. Dailey, "Peter Norton: Collecting with a Conscience," Guggenheim Magazine, Winter 2004, n.p.
Pacifico Yakohama Exhibition Hall, International Triennale of Contemporary Art: Mega Wave - Towards a New Synthesis, September-November 2001, pp. 26 & 390 (illustrated, another example exhibited).
Paris, Galerie Perrotin, on permanent exhibition, 2001-2004 (another example exhibited).
New York, Marianne Boesky Gallery and Friedrich Petzel Gallery, Penetration, June-August 2002 (another example exhibited).
Paris, Galerie Perrotin, Opening of the Gallery Space at 76 Rue de Turenne, on permanent exhibition, January 2005-present (another example exhibited).
New York, The FLAG Art Foundation, Size DOES Matter, February-May 2010, pp. 12 & 83 (illustrated, another example exhibited).
Los Angeles County Museum of Art, Human Nature: Contemporary Art from the Collection, March-July 2011 (another example exhibited).
New York, Solomon R. Guggenheim Museum, Maurizio Cattelan: All, November 2011-January 2012, pp. 228 & 249, no. 85 (illustrated, another example exhibited).
Minneapolis, Walker Art Center, Lifelike, February 2012-October 2013, pp. 154 & 184, pl. 76 (illustrated).

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