Les estampes de Josef Albers incarnent son exploration rigoureuse de la couleur, de la géométrie et de la perception. À travers des séries telles que « Homage to the Square » et « Formulation : Articulation », il a utilisé la sérigraphie et la lithographie pour étudier la manière dont les teintes interagissent au sein de structures compositionnelles précises. Chaque estampe d’Albers est à la fois une expérience et une méditation, révélant comment de subtils changements de ton et de proportion modifient l’équilibre visuel et la profondeur. En transposant son approche rigoureuse sur la surface imprimée, Albers a transformé la gravure en un laboratoire dédié à la théorie des couleurs, alliant les principes du Bauhaus à la clarté et à la sobriété de l’abstraction moderne.
JOSEF ALBERS (1888-1976)
Gray Instrumentation I
JOSEF ALBERS (1888-1976)
Midnight and Noon
JOSEF ALBERS (1888-1976)
SP (Homage to the Square) , Editions Domberger, Stuttgart, 1967 (Denilowitz 175)
JOSEF ALBERS (1888-1976)
Homage to the Square : Ten Works by Josef Albers
JOSEF ALBERS (1888-1976)
White Line Squares, Series I
JOSEF ALBERS (1888-1976)
Gray Instrumentation II
JOSEF ALBERS
Josef Albers, Gray Instrumentation II , Tyler Graphics, Mount Kisco, New York, 1975 (D. 228)
JOSEF ALBERS (1888-1976)
Soft Edge-Hard Edge
JOSEF ALBERS
Gray Instrumentation II , Mount Kisco, New York, Tyler Graphics, 1975 (D. 228.1-12)
JOSEF ALBERS (1888-1976)
Ten Variants
JOSEF ALBERS (1888-1976)
SP : three plates
JOSEF ALBERS (1888-1976)
(i) Structural Constellation: Duo H (ii) Structural Constellation: Duo B
Josef Albers (1888-1976)
Gray Instrumentation I and II (D. 225-228)
JOSEF ALBERS
Josef Albers, Gray Instrumentation I , Tyler Graphics, Mount Kisco, New York, 1975 (D. 225)
JOSEF ALBERS (1888-1976)
White Line Squares (Series II) (Danilowitz 172.1-8)
JOSEF ALBERS (1888-1976)
Transformation A-D
JOSEF ALBERS
Homage to the Square , New Haven, Ives-Sillman, Inc., 1962; and Soft Edge-Hard Edge , New Haven, Ives-Sillman, Inc., 1965 (D. 156.1-10; and D.165. 1-10)
JOSEF ALBERS (1888-1976)
Formulation-Articulation
JOSEF ALBERS
Gray Instrumentation I (D. 225)
JOSEF ALBERS (1888-1976)
Structural Constellation : Duo H
JOSEF ALBERS (1888-1976)
White Line Squares (Series II) (Danilowitz 172)
JOSEF ALBERS (1888-1976)
Homage to the Square
JOSEF ALBERS (1888-1976)
Formulation Articulation I & II
Josef Albers (1888-1976)
Hommage au carré
JOSEF ALBERS
White Line Squares, Series I (D. 171.1-8)
JOSEF ALBERS (1888-1976)
Structural Constellation
JOSEF ALBERS (1888-1976)
Formulation: Articulation
JOSEF ALBERS (1888-1976)
White Line Square XII, from White Line Squares
Josef Albers (1888-1976)
Five plates, from Homage to the Square
JOSEF ALBERS (1888-1976)
W + P
JOSEF ALBERS (1888-1976)
I-S LXXII
JOSEF ALBERS (1888-1976)
Gray Instrumentation I j, from Gray Instrumentation I
JOSEF ALBERS (1888-1976)
Fenced
JOSEF ALBERS (1888-1976)
Soft Edge-Hard Edge , Ives-Sillman Inc., New York, 1965
After Josef Albers
4 Carrés: Bleu Gris Ocre Jaune
JOSEF ALBERS (1888-1976)
Josef Albers Honors the Hirshhorn Museum and Sculpture Garden , Ives-Sillman, Inc., New Haven, 1973
JOSEF ALBERS (1888-1976)
In the Cathedral: Small Middle Nave
JOSEF ALBERS (1888-1976)
KV-RW
JOSEF ALBERS (1888-1976)
I-S a
JOSEF ALBERS (1888-1976)
I-S a
JOSEF ALBERS (1888-1976)
Multiplex B
JOSEF ALBERS (1888-1976)
EK Ig, from Homage to the Square: Edition Keller
JOSEF ALBERS (1888-1976)
Formulation: Articulation
Josef Albers (1888-1976)
White Line Square XII, da: White Line Square II
JOSEF ALBERS (1888-1976)
White Line Squares, Series I: one print
JOSEF ALBERS (1888-1976)
IS : two prints
JOSEF ALBERS (1888-1976)
Gray Instrumentation IIa, from Gray Instrumentation II
JOSEF ALBERS
Four prints by the artist
JOSEF ALBERS (1888-1976)
Formulation Articulation I & II
JOSEF ALBERS (1888-1976)
I-S b