RAOUL DUFY (1877-1953)
RAOUL DUFY (1877-1953)
RAOUL DUFY (1877-1953)
RAOUL DUFY (1877-1953)
3 plus
The William I. Koch Collection
RAOUL DUFY (1877-1953)

Le bassin de Deauville

Details
RAOUL DUFY (1877-1953)
Le bassin de Deauville
signed 'Raoul Dufy' (lower center)
oil on canvas
25 ¾ x 31 7⁄8 in. (65.4 x 81 cm.)
Painted in 1935
Provenance
Private collection, Paris (by 1952).
Private collection, Geneva (by 1970).
Robert Nordmann, Geneva (by 1970).
Private collection, Switzerland.
Simon Dickinson, Ltd., London (acquired from the above).
Acquired from the above by the present owner, 11 February 2009.
Literature
P. Courthion, Raoul Dufy, Geneva, 1951, p. XIII, pl. 96 (illustrated).
J. Lassaigne, "Dufy" in Le goût de notre temps, Geneva, 1954, p. 60 (illustrated).
M. Gauthier, Raoul Dufy, Paris, 1955, pl. 20 (illustrated).
R. Cogniat, Raoul Dufy, New York, 1962, p. 60 (illustrated).
S. Hunter, Raoul Dufy, New York, 1967, p. 15.
A. Werner, Raoul Dufy, New York, 1970, pp. 142-143 (illustrated).
M. Laffaille, Raoul Dufy: Catalogue raisonné de l'oeuvre peint, Geneva, 1973, vol. II, p. 333, no. 836 (illustrated).
Exhibited
Geneva, Musée d’art et d’histoire, Raoul Dufy, June-September 1952, no. 23.
London, The Tate Gallery, Raoul Dufy, January-February 1954, no. 45.
Kunsthalle Basel, Raoul Dufy, April-June 1954, no. 73, pl. 12 (illustrated).
Knokke-le Zoute, Casino Communal, VIIème Festival belge d'été, Hommage à Raoul Dufy, July-August 1954, no. 32.
Marseille, Musée Cantini, Hommage à Raoul Dufy, December 1954, no. 37 (dated 1938).
Eindhoven, Van Abbemuseum and Amsterdam, Stedelijk Museum, Raoul Dufy, 1955, no. 55.
Landesmuseum Münster, Raoul Dufy, April-May 1956, no. 37 (dated 1937).
Nancy, Musée de Beaux-Arts, Raoul Dufy, June-September 1956, no. 24.
Musée de Lyon, Raoul Dufy, June-October 1957, no. 57.
Lausanne, Palais de Beaulieu, Chefs-d’oeuvre des collections suisses de Manet à Picasso, May-October 1964, no. 270.
Paris, Musée de l’Orangerie des Tuileries, Chefs-d’oeuvre des collections suisses de Manet à Picasso, May-October 1967, no. 178 (illustrated).

Présenté par

Emmanuelle Loulmet
Emmanuelle Loulmet Specialist, Head of the Impressionist and Modern Day Sale

Descriptif du lot

Painted in 1935, Le Bassin de Deauville depicts the crowded harbor of the Normandy resort. Sails and masts fill the foreground and middle distance, partly obscuring the waterfront buildings. Triangular sails punctuate the vertical rigging, while their reflections introduce shorter, broken forms across the water. An open expanse of sky balances the concentration of boats below, giving the composition a sense of space despite its closely packed vessels.
Normandy’s harbors, beaches and sailing events were recurring subjects for Raoul Dufy, providing material for his experiments with line and color. Deauville combined this maritime setting with the fashionable leisure culture that occupied a prominent place in his work. Here, the boats themselves command attention, their overlapping hulls, sails and rigging establishing the structure of the view.
The painting exemplifies the separation of color from outline characteristic of Dufy’s mature technique. Drawn lines identify individual vessels and architectural details, while broader passages of paint cross their boundaries, connecting different parts of the scene. This independence allows him to retain recognizable details without describing every object separately. The same approach governs the water, where abbreviated marks suggest reflections rather than reproduce them precisely. Throughout, Dufy balances the density of his drawing with the breadth of his painted surfaces, making a complex harbor scene legible without imposing a rigid perspective.

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