Uno dei ritrattisti più celebri del suo tempo, George Romney si costruì una reputazione grazie alle sue raffigurazioni aggraziate ed espressive dell’alta società britannica della fine del XVIII secolo. Nato nel 1734 a Dalton-in-Furness, nel Lancashire, Romney entrò come apprendista presso l’artista locale Christopher Steele nel 1755. Nel 1757 lasciò l’apprendistato per aprire un proprio studio a Kendal.
George Romney iniziò a farsi un nome grazie ai suoi ritratti della nobiltà locale. Tuttavia, il suo cuore era rivolto a Londra, dove si trasferì nel 1762. A Londra, Romney si guadagnò il patrocinio dell’élite britannica, risultando particolarmente popolare tra le donne dell’alta società. La sua fama rivaleggiava con quella di Sir Joshua Reynolds e Thomas Gainsborough. Lo stile di Romney era caratterizzato da un’acuta osservazione del carattere, che egli combinava con una raffinata eleganza nella composizione e nel colore.
Nel 1872 George Romney incontrò Emma Hamilton, che sarebbe diventata una delle più grandi muse dell’artista. Romney fu attratto dalla sua bellezza unica, che univa i lineamenti statuari della scultura greca antica alla sensualità rubenesca dei suoi folti capelli castani. Tra il 1782 e il 1786, Hamilton posò per Romney oltre 100 volte; più di 60 dipinti ebbero Hamilton come fonte d’ispirazione o elemento caratterizzante durante la loro relazione. Romney dipinse Hamilton in quattro categorie principali: composizioni di vita reale, allegorie personificate a figura singola, soggetti mitologici o religiosi.
L’opera di Romney comprende anche numerosi disegni, molti dei quali i che fungevano da studi per le sue opere di maggiori dimensioni. Questi disegni di George Romney rivelano il suo approccio meticoloso alla composizione e la sua esplorazione di diverse pose ed espressioni, fornendo una visione approfondita del suo processo creativo. I suoi disegni si distinguono per la loro fluidità e per la capacità dell’artista di trasmettere una somiglianza con un numero minimo di linee.
Nel 1799 Romney tornò a Kendal dalla famiglia che aveva lasciato per intraprendere la carriera a Londra, dove rimase fino alla sua morte, avvenuta nel 1802. La sua imponente opera comprende circa 2.000 dipinti e 5.000 disegni, conservati in collezioni private e pubbliche in tutto il mondo, tra cui la National Portrait Gallery di Londra.
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Group portrait of Dorothy Stables (1753-1832), with her daughters, Harriet (1774-1827) and Maria (1775-1821), in a wooded landscape
George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of Elizabeth Ramus (1751-1848), daughter of Nicholas Ramus and subsequently wife of Baron de Nougal, half-length, in a pink dress with gold trim and a green shawl, her hair tied with a gold-embroidered white muslin scarf
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Portrait of Mrs Deborah Jemima Maxwell (1755-1789), full-length, in a pale pink dress with a blue sash and a yellow wrap, in a wooded landscape
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Portrait of Dorothy Stables (1753-1832), seated, with her two daughters, Harriet (1774-1827) and Maria (1775-1821), in a wooded landscape
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of Richard Newman Harding (1756-1808), full length, in a pink coat and breeches, with a dog in a wooded landscape
George Romney (Dalton-in-Furness, Lancashire 1734 - Kendal, Cumbria 1802)
Portrait of Mrs Moody (c.1767-1820), second wife of Samuel Moody, three-quarter-length, in a white dress trimmed with pink bows and a pink sash, holding a dog in her lap, in a landscape
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of Elizabeth, Lady Bentinck, née Cumberland (1760-1837), half-length, in a white dress and hat with a blue ribbon
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Portrait of Mary Lowther, née Forsyth (c.1760-1830), half-length in a black gown and ribboned hat
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of Henrietta, Lady Smith, née Dodsworth (1736-1795), three-quarter length, playing a lute
George Romney (Dalton-in-Furness 1734-1802 Kendal)
Portrait of a lady and a child, traditionally identified as Mrs Cumberland and her son, Charles, half-length, in a white dress and bonnet
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of Lady Emma Hamilton, as Cassandra, half length, in a white robe, a laurel wreath crowning her head
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Double portrait of two siblings, three-quarter-length, in white dresses and a red and pink sash, in a landscape
George Romney (near Dalton-in-Furness, Lancs. 1734-Kendal, Cumbria 1802)
Portrait of Mrs Agnes Ainslie (1761-1796) and her son Henry (1786-1814), three-quarter-length, she in a white dress and mob-cap tied with a pink ribbon, holding a fob watch, the child in a white dress with a pink sash and white cap
GEORGE ROMNEY, R.A. (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of a lady, seated, three-quarter-length, in a landscape, traditionally identified as Anne, Countess of Clare (1766-1844)
George Romney (Dalton-in-Furness, Lancs 1734-1802 Kendal, Cumbria)
Portrait of General Albemarle Bertie, 9th Earl of Lindsay (1744-1818), half-length, in the uniform of the Grenadier guards
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal)
The Dream of Atossa
George Romney (Dalton-in-Furness 1734-1802 Kendal)
A sketchbook of 1791-2 including: Sketches for Macbeth: The cavern Scene; Macbeth: The Banquet Scene ; John Howard visiting a Lazaretto ; Newton and the Prism ; Landscape Studies; Studies for portraits; Studies of the head of an older man (possibly a self-portrait); Studies of a standing child; Studies of a reclining woman, possibly Iphigenia and her attendant spied on by Cymon ; Studies of a standing female figure with arm raised, possibly a study for Lady Hamilton as Cassandra or as Joan of Arc ; Studies of an initiation scene; Studies of couples meeting by a cottage; Studies of a dancing group; Studies of a male figure reaching down to embrace his infant child; A seated female figure with an attendant embracing a corpse, possibly related to the lost painting Susan when the seas are roaring ; and Sketches of an exotic figure in a robe
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of Francis Lind (1752/3-1840), three-quarter-length, seated at a window, a one-keyed Simpson ivory flute in his right hand
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Portrait of Mrs Susannah Whatman (1756-1828), née Bosanquet, half-length, in a painted oval
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Portrait of Pamela, later Lady Edward Fitzgerald (?1773-1831), bust-length
GEORGE ROMNEY, R.A. (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of Sir Thomas Frankland, 6th Bt. (1750-1831), half-length, in profile
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of Captain John Stables (1743⁄4-1795), three-quarter length, in East India Company uniform holding a talwar sword
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal)
Prometheus Bound
George Romney (Dalton-in-Furness, Lancs 1734-1802 Kendal, Cumbria)
Portrait of Mrs John Gathorne, half-length, in a silver gown, her left elbow resting on a table
George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of Mrs Mary Moody ( c . 1767-1820), wife of Samuel Moody, three-quarter-length, in a landscape
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of George Morewood (1720-1792) of Alfreton Park, Derbyshire, full-length, in a green suit with a walking stick
George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of a lady, half-length, in a white dress, unfinished
George Romney (Dalton-in-Furness 1734-1802 Kendal)
Portrait of a gentleman seated, full-length, a table beside him
George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of Alicia Dundas, Lady Wedderburn (1754-1831), half-length
GEORGE ROMNEY, R.A. (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of Miss Williams, bust-length, in a painted oval
George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of a girl, traditionally identified as Lady Charlotte Stanley (1776-1805); and Portrait of Edward (1775-1851), Lord Stanley, later 13th Earl of Derby, both bust-length
George Romney (Dalton-in-Furness 1734-1802 Kendal)
Portrait of John Mills, half-length
Attributed to George Romney, R.A. (Dalton-in-Furness 1734-1802 Kendal)
Portrait of Edward Wortley, Lord Montagu
George Romney (near Dalton-in-Furness, Lancs. 1734-1802 Kendal, Cumbria )
Portrait of Emma, Lady Hamilton (1765-1815), bust-length
George Romney (near Dalton-in-Furness, Lancs. 1734-Kendal, Cumbria 1802)
Portrait of Hester, Countess of Clanricarde (d. 1803), half-length, in a red dress and a black, lace-trimmed wrap
CIRCLE OF GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Head of Miranda
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of Lady Laetitia à Court, half-length, in a white muslin dress with satin bows
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Portrait of a lady, traditionally identified as Miss Mildred Stewart Wright, three-quarter length, leaning on a balustrade, pointing to a sundial
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of James Cross of Clifton, Bristol (?1739-1791), three-quarter-length, at a table with a landscape beyond
George Romney (Dalton-in-Furness 1734-1802 Kendal)
Portrait of Colin Dunlop of Carmyle, Provost of Glasgow, seated, three-quarter-length
George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)
Portrait of Emma, Lady Hamilton, bust-length
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of Lady Alicia Wedderburn, née Dundas (1754-1831), half-length
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Study for Milton and his daughters – en brunaille
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Portrait of Mrs William Maguire, seated, half-length, in a white dress and fichu, a landscape beyond
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
A sketchbook of 12 sheets, rebound in a modern marbled paper binding, with new additional sheets at each end, including studies for: Portrait of Mrs Jackson; Melancholy; Portrait of Mrs Yeats; The Warren Family
George Romney (Dalton-in-Furness 1734-1802 Kendal)
A seated woman and other studies
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of George Henry Fitzroy (1760-1844), Earl of Euston, later 4th Duke of Grafton, three-quarter-length, in a black coat, with a landscape beyond
George Romney (near Dalton-in-Furness, Lancs. 1734-1802 Kendal, Cumbria )
Portrait of a young girl, bust-length, in a white dress
George Romney (Dalton-in-Furness 1734-1802 Kendal)
Portrait study of the Rev. William Atkinson, half-length, wearing a broad-brimmed hat
George Romney (1718-1792)
The infant Shakespeare nursed by Tragedy and Comedy