Le stampe di Josef Albers incarnano la sua rigorosa esplorazione del colore, della geometria e della percezione. Attraverso serie come Homage to the Square e Formulation: Articulation, ha utilizzato la serigrafia e la litografia per indagare come le tonalità interagiscano all’interno di precise strutture compositive. Ogni stampa di Albers funge sia da esperimento che da meditazione, rivelando come sottili variazioni di tono e proporzione alterino l’equilibrio visivo e la profondità. Trasferendo il suo approccio disciplinato sulla superficie stampata , Albers ha trasformato l’incisione in un laboratorio per la teoria del colore, unendo i principi del Bauhaus alla chiarezza e alla sobrietà dell’astrazione moderna.
JOSEF ALBERS (1888-1976)
Gray Instrumentation I
JOSEF ALBERS (1888-1976)
Midnight and Noon
JOSEF ALBERS (1888-1976)
SP (Homage to the Square) , Editions Domberger, Stuttgart, 1967 (Denilowitz 175)
JOSEF ALBERS (1888-1976)
Homage to the Square : Ten Works by Josef Albers
JOSEF ALBERS (1888-1976)
White Line Squares, Series I
JOSEF ALBERS (1888-1976)
Gray Instrumentation II
JOSEF ALBERS
Josef Albers, Gray Instrumentation II , Tyler Graphics, Mount Kisco, New York, 1975 (D. 228)
JOSEF ALBERS (1888-1976)
Soft Edge-Hard Edge
JOSEF ALBERS
Gray Instrumentation II , Mount Kisco, New York, Tyler Graphics, 1975 (D. 228.1-12)
JOSEF ALBERS (1888-1976)
Ten Variants
JOSEF ALBERS (1888-1976)
SP : three plates
JOSEF ALBERS (1888-1976)
(i) Structural Constellation: Duo H (ii) Structural Constellation: Duo B
Josef Albers (1888-1976)
Gray Instrumentation I and II (D. 225-228)
JOSEF ALBERS
Josef Albers, Gray Instrumentation I , Tyler Graphics, Mount Kisco, New York, 1975 (D. 225)
JOSEF ALBERS (1888-1976)
White Line Squares (Series II) (Danilowitz 172.1-8)
JOSEF ALBERS (1888-1976)
Transformation A-D
JOSEF ALBERS
Homage to the Square , New Haven, Ives-Sillman, Inc., 1962; and Soft Edge-Hard Edge , New Haven, Ives-Sillman, Inc., 1965 (D. 156.1-10; and D.165. 1-10)
JOSEF ALBERS (1888-1976)
Formulation-Articulation
JOSEF ALBERS
Gray Instrumentation I (D. 225)
JOSEF ALBERS (1888-1976)
Structural Constellation : Duo H
JOSEF ALBERS (1888-1976)
White Line Squares (Series II) (Danilowitz 172)
JOSEF ALBERS (1888-1976)
Homage to the Square
JOSEF ALBERS (1888-1976)
Formulation Articulation I & II
Josef Albers (1888-1976)
Hommage au carré
JOSEF ALBERS
White Line Squares, Series I (D. 171.1-8)
JOSEF ALBERS (1888-1976)
Structural Constellation
JOSEF ALBERS (1888-1976)
Formulation: Articulation
JOSEF ALBERS (1888-1976)
White Line Square XII, from White Line Squares
Josef Albers (1888-1976)
Five plates, from Homage to the Square
JOSEF ALBERS (1888-1976)
W + P
JOSEF ALBERS (1888-1976)
I-S LXXII
JOSEF ALBERS (1888-1976)
Gray Instrumentation I j, from Gray Instrumentation I
JOSEF ALBERS (1888-1976)
Fenced
JOSEF ALBERS (1888-1976)
Soft Edge-Hard Edge , Ives-Sillman Inc., New York, 1965
After Josef Albers
4 Carrés: Bleu Gris Ocre Jaune
JOSEF ALBERS (1888-1976)
Josef Albers Honors the Hirshhorn Museum and Sculpture Garden , Ives-Sillman, Inc., New Haven, 1973
JOSEF ALBERS (1888-1976)
In the Cathedral: Small Middle Nave
JOSEF ALBERS (1888-1976)
KV-RW
JOSEF ALBERS (1888-1976)
I-S a
JOSEF ALBERS (1888-1976)
I-S a
JOSEF ALBERS (1888-1976)
Multiplex B
JOSEF ALBERS (1888-1976)
EK Ig, from Homage to the Square: Edition Keller
JOSEF ALBERS (1888-1976)
Formulation: Articulation
Josef Albers (1888-1976)
White Line Square XII, da: White Line Square II
JOSEF ALBERS (1888-1976)
White Line Squares, Series I: one print
JOSEF ALBERS (1888-1976)
IS : two prints
JOSEF ALBERS (1888-1976)
Gray Instrumentation IIa, from Gray Instrumentation II
JOSEF ALBERS
Four prints by the artist
JOSEF ALBERS (1888-1976)
Formulation Articulation I & II
JOSEF ALBERS (1888-1976)
I-S b