拍品專文
This finely executed sculpture with elegant sense of movement given by the rhythmic patterning of the folds follows the Licchavi period prototype that reached a pinnacle of elegance and grace by the 7th century. As an ideal image, it saw revivals at various stages of Nepalese art and in Tibet, the dating of which is not yet fully understood. It was previously published with an 11th century date.
Compare with the Licchavi image at the Kimbell Art Museum, see U. von Schroeder, Indo-Tibetan Bronzes, 1981, fig. 75F, p. 307.
Compare with the Licchavi image at the Kimbell Art Museum, see U. von Schroeder, Indo-Tibetan Bronzes, 1981, fig. 75F, p. 307.